Borat! Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan
[See “Conventional Cuts,” The American Spectator of December, 2006-January, 2007, under “Articles”]
[See “Conventional Cuts,” The American Spectator of December, 2006-January, 2007, under “Articles”]
I tried very hard to like A Simple Plan, written by Scott B.Smith and directed by Sam (Evil Dead) Raimi, but I was only partly successful. The movie seems to have been heavily influenced by Fargo, right down to the vast and snowy prairie landscapes and the unexpectedly satisfying moralism of the ending, and, insofar…
Suddenly things in the popular culture begin to seem much, much worse than we had thought them. And we hadn’t thought they were good.
Naturally, I had hoped to be able to avoid going to see Lasse Hallström’s sickly-sweet Chocolat. After The Cider House Rules, indeed, I hoped never to have to see another movie by Hallström. But when Chocolat was nominated for a Best Picture Oscar I resigned myself to the necessity of having to waste two hours…
This one’s a real winner — if you can bear to watch it.
Body Shots, directed by Michael Cristofer and written by David McKenna, is really two movies in one, pulling in opposite directions—a fact which, whether it is intended as a kind of post-modern experiment or simply the result of incompetence, is fatal to its success. The first movie is a sort of latter-day comedy of manners,…