Amazing Grace

A self-satisfied yuppie romance that founders on its inability to distinguish between love and sex

Holy Man, written by Tom Schulman and directed by Stephen Herek at first looks as if it is going to be a more successful exercise in Hollywood metaphysics than the dreadful What Dreams May Come. Set in the cutthroat corporate world of the Good Buy Home shopping network, run by the splendidly nasty John McBainbridge…

This month should be called easy morality month. No sooner do we get finished watching as Steven Spielberg proves to us with incredible but not untypical supererogation and at nearly two and a half hours length that slavery is iniquitous than we step into James Cameron’s Titanic and find that it takes nearly three and…

Bad jokes are like rotten apples: it only takes a few of them to spoil the whole barrel. Company Man, a co-written, co-directed effort by Douglas McGrath and Peter Askin, starts off very promisingly. Its jokes are crisp and tart and juicy. But not long into it we take our first bite of the rotten…

A self-satisfied yuppie romance that founders on its inability to distinguish between love and sex

Holy Man, written by Tom Schulman and directed by Stephen Herek at first looks as if it is going to be a more successful exercise in Hollywood metaphysics than the dreadful What Dreams May Come. Set in the cutthroat corporate world of the Good Buy Home shopping network, run by the splendidly nasty John McBainbridge…

This month should be called easy morality month. No sooner do we get finished watching as Steven Spielberg proves to us with incredible but not untypical supererogation and at nearly two and a half hours length that slavery is iniquitous than we step into James Cameron’s Titanic and find that it takes nearly three and…

Bad jokes are like rotten apples: it only takes a few of them to spoil the whole barrel. Company Man, a co-written, co-directed effort by Douglas McGrath and Peter Askin, starts off very promisingly. Its jokes are crisp and tart and juicy. But not long into it we take our first bite of the rotten…

The People vs. Larry Flynt is one of Hollywood’s more typical propaganda films—which is to say one which makes it too easy on itself. Unlike, say, Dead Man Walking, which was a very untypical propaganda film, it does not play straight with us. It stacks the deck in favor of its hero, Larry Flynt (Woody…