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Liv Ullmann’s direction of the screenplay of her former director, “mentor” and lover, Ingmar Bergman in Faithless (Trolösa), is remarkably competent—remarkably Bergmanian—in all kind of technical ways, but I wonder if she was fully alive to the subtleties built into this story of a broken marriage? For that matter, I wonder if Bergman himself is?…

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Hotel de Love by Craig Rosenberg is, like Cosi, a fresh and amusing Australian film that puts Hollywood schlock like Fools Rush In to shame. It tells the story of twin brothers, Rick (Aden Young, who also plays Nick in Cosi) and Stephen (Simon Bossell) who fall in love with the same girl, Melissa (Saffron…

Sweet Hereafter, The
The Sweet Hereafter, written and directed by the Armenian- Canadian director of Exotica, Atom Egoyan, is a movingly updated version of the Pied Piper story only without the rats. This time the Pied Piper is not a businessman or a moralist but mere capricious fate which causes a school bus to run off the road…

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Happiness, written and directed by Todd Solondz (Welcome to the Doll’s House), is a sort of twin of Neil Labute’s Your Friends and Neighbors. Both these young, independent filmmakers are reacting against Hollywood fakery and sentimentality by presenting us with horrifyingly funny looks at the sexual manners and mores of late-century America. What Jason Patric’s…

Trölosa (Faithless)
Liv Ullmann’s direction of the screenplay of her former director, “mentor” and lover, Ingmar Bergman in Faithless (Trolösa), is remarkably competent—remarkably Bergmanian—in all kind of technical ways, but I wonder if she was fully alive to the subtleties built into this story of a broken marriage? For that matter, I wonder if Bergman himself is?…

Hotel de Love
Hotel de Love by Craig Rosenberg is, like Cosi, a fresh and amusing Australian film that puts Hollywood schlock like Fools Rush In to shame. It tells the story of twin brothers, Rick (Aden Young, who also plays Nick in Cosi) and Stephen (Simon Bossell) who fall in love with the same girl, Melissa (Saffron…

Sweet Hereafter, The
The Sweet Hereafter, written and directed by the Armenian- Canadian director of Exotica, Atom Egoyan, is a movingly updated version of the Pied Piper story only without the rats. This time the Pied Piper is not a businessman or a moralist but mere capricious fate which causes a school bus to run off the road…

Happiness
Happiness, written and directed by Todd Solondz (Welcome to the Doll’s House), is a sort of twin of Neil Labute’s Your Friends and Neighbors. Both these young, independent filmmakers are reacting against Hollywood fakery and sentimentality by presenting us with horrifyingly funny looks at the sexual manners and mores of late-century America. What Jason Patric’s…

Trölosa (Faithless)
Liv Ullmann’s direction of the screenplay of her former director, “mentor” and lover, Ingmar Bergman in Faithless (Trolösa), is remarkably competent—remarkably Bergmanian—in all kind of technical ways, but I wonder if she was fully alive to the subtleties built into this story of a broken marriage? For that matter, I wonder if Bergman himself is?…

Hotel de Love
Hotel de Love by Craig Rosenberg is, like Cosi, a fresh and amusing Australian film that puts Hollywood schlock like Fools Rush In to shame. It tells the story of twin brothers, Rick (Aden Young, who also plays Nick in Cosi) and Stephen (Simon Bossell) who fall in love with the same girl, Melissa (Saffron…

Sweet Hereafter, The
The Sweet Hereafter, written and directed by the Armenian- Canadian director of Exotica, Atom Egoyan, is a movingly updated version of the Pied Piper story only without the rats. This time the Pied Piper is not a businessman or a moralist but mere capricious fate which causes a school bus to run off the road…

Happiness
Happiness, written and directed by Todd Solondz (Welcome to the Doll’s House), is a sort of twin of Neil Labute’s Your Friends and Neighbors. Both these young, independent filmmakers are reacting against Hollywood fakery and sentimentality by presenting us with horrifyingly funny looks at the sexual manners and mores of late-century America. What Jason Patric’s…