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Borrowers, The
The Borrowers directed by Peter Hewitt and based on novels by Mary Norton is a curious looking picture and occasionally a funny one, but for the most part it leaves us with the impression of opportunities missed. As so often in big-money Hollywood pictures, a world of artistry is lost for the sake of some…
Revolution Will Not Be Televised, The
Even raw propaganda can do the rounds of the documentary circuit, apparently, so long as it is anti-American propaganda
Mrs. Dalloway
Mrs Dalloway is directed by Marleen Gorris, the Dutch director of the unrelentingly feminist Antonia’s Line, from a screenplay by Eileen Atkins. The screenplay, so far as I can tell, is very faithful to Virginia Woolf’s novel, so fans of Mrs Woolf may enjoy it. The rest of us may take it as Ms Gorris…
End of Watch
An old-fashioned sort of cop story — that is, one in which the cops are the good guys — but one told in a hip, bang up-to-date, semi-ironic style
Clubland
In its native Australia, Cherie Nowlan’s Introducing the Dwights was called Clubland, and you can see how that title could have been confusing to an American — or to a British — audience. The clubs of Sydney, where the film is set, feature magicians, ventriloquists, even a guy who imitates bird-songs. In short, they are…
Lethal Weapon 4
Lethal Weapon 4 was, according to the credits, directed by Richard Donner, but it might as well have been directed by a computer. Here is the perfect summer blockbuster movie in which the formulae perfected in the first three installments in the series are employed once again, the explosions and the hair-breadth escapes are even…