Springfield Rifle
[See “He Wore a Yellow Stripe,” The American Spectator of April, 2007, under “Articles”]
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[See “He Wore a Yellow Stripe,” The American Spectator of April, 2007, under “Articles”]
Subscribe to get the latest posts to your email.
A fascinating document for future scholars writing the history of the American celebrity culture
Post Coitum Animal Triste, directed by Brigitte Roüen, stars Miss Roüen herself as Diane, a publisher married to the decent but boring lawyer, Philippe (Patrick Chesnais). She suddenly falls passionately in love with the much younger Emilio (Boris Terral) — a hydraulic engineer who goes about doing good, bringing water to the third world. What…
Double Jeopardy, directed by Bruce Beresford, is the latest example of what is coming to be one of Hollywood’s favorite new genres: the female paranoia movie. Like The Astronaut’s Wife of a few weeks ago, it deliberately sets out to exploit the sort of insecurity that has become endemic, in some ways the most destructive…
There are two transcendent moments in the Autumn Tale, the fourth and perhaps best of Eric Rohmer’s magisterial “Tales of the Four Seasons.” The first is when we suddenly realize that the simple story of two women, married Isabelle (Marie Rivière) and her divorced friend Magali (Béatrice Romand), whom she is trying to fix up…
Holy Smoke by Jane Campion is a movie whose most basic assumptions—arising out of a weirdly anachronistic, 1970s-vintage view of bourgeois life—makes it rather difficult to like. From the first glimpse she gives us of “Sans Souci, Sydney,” an overhead shot of acres of tiled-roof bungalows that bespeaks “suburbia,” we know that Miss Campion’s sympathies…