Children of Men

A Friend of the Deceased (Un Ami du Défunt), a Franco-Ukrainian film directed by Vyacheslav Krishtofovich and written—in Russian—by Andrei Kourkov, has a very attractive premiss. Tolia (Alexandre Lazarev), a translator living in Kiev and living a hand-to-mouth, hustling sort of existence not untypical of life in the former Soviet Union, finds that his rather…

In Les Misérables, directed by Bille August, it is the film itself which turns out to be misérable: thin and poor and wretched and in need of feeding up. The one thing you don’t want to skimp on when you are filming an epic is the epic proportions. August, a fine director of intense and…

The Blessed Virgin as drug smuggler? It’s OK, folks, as long as her own drug of choice is the blessed freedom — and wealth — of America

Deep Impact, directed by Mimi Leder from a script by Bruce Joel Rubin and Michael Tolkin, is one of what I take to be a new breed of Hollywood disaster flicks. Modeled on Independence Day, these are apocalyptic in scale, overburdened with special effects and pitched to a younger teen audience, but they are still…

A clever but possibly inadvertent satire on the way we live, romantically, now

Devil’s Advocate, directed by Taylor Hackford to a script by Jonathan Lemkin and Tony Gilroy, is like Playing God in being a Hollywood version of the Faust legend. It is a more theologically sophisticated one, if ultimately no more successful. Al Pacino plays the devil under the name of “John Milton”—perhaps because this film comes…