Sands of Iwo Jima, The

The Rainmaker is redundant proof that Francis Ford Coppola has lost it permanently. If you thought that things couldn’t get any worse for him after the egregious Jack, wait till you see this two-hour infomercial on behalf of the Trial Lawyers Association. Coppola seems to have used up whatever stores of subtlety and moral ambiguity…

The Skulls is a movie about a secret, all-male society at Yale which hardly even attempts to disguise the fact that it is based on Skull and Bones, an élite group whose membership is said to include both the George Bushes. So, too, “The Skulls” in the movie go around saying to each other “a…

The Boxer by Jim Sheridan deserves some praise for being one of the very few among the spate of recent movies about “the Troubles” in Northern Ireland (including Sheridan’s own) that actually tries to depict the I.R.A. as it is and not with the romantic patina of Michael Collins or, most recently, The Jackal. But…

A respectful period romance which, however, doesn’t give us as much of the period as it does of the romance

The Harmonists, directed by Joseph Vilsmaier, is the “based-on-a-true story” story of The Comedian Harmonists, an immensely popular singing group in pre-war Germany that eventually had to break up, as three of its six members were Jewish. Like nearly every other film set in its time and place, this one is ultimately sucked into the…

There would hardly be any reason to notice Me, Myself and Irene, the latest in the series of gross-out comedies from Peter and Bobby Farrelly that includes Dumb and Dumber, Kingpin and There’s Something About Mary, if it did not provide yet another example of the way in which vulgar Freudianism has become the religion…