Big Sleep, The

Lucie Aubrac by Claude Berri (the great director of Jean de Florette and Manon of the Spring), is another illustration of the use of cliché in great movie-making. Based on the true life events recorded in the memoir, Ils partiront dans l’ivresse by Lucie Aubrac herself, this film hits us over the head with its…

Here is the basic idea of Arlington Road, written by Ehren Kruger and directed by Mark Pellington. A history professor called Michael Faraday (Jeff Bridges), who teaches a course on terrorism, gradually realizes that his new neighbors in the pleasant suburb where he lives are terrorists. If that premiss strains your credulity just a little,…

American Psycho is as a movie as it was as a book, not a serious work of art but merely something designed to be talked about in the media and thus to confer money and celebrity upon its now plural authors. This is important, because not all books or movies that are talked about in…

The one slightly sour note in Nora Ephron’s cloyingly sweet Julie & Julia comes near the end of the film when one of our two heroines, Julie Powell (Amy Adams), has become a hit with the public — or at least enough of a hit to realize the prospect of the book deal which will…

A form of pathography in which the audience is kept at arm’s length from the hero/heroine by the compassion he/she demands of it

Conspiracy Theory, written by Brian Helgeland and directed by Richard Donner, attempts to do for lunatics what movies like The Shawshank Redemption tried to do for convicts—that is to sanitize them and make them lovable victims of government and society instead of dangerous social malcontents. Charming, blue-eyed Mel Gibson plays Jerry, a middle aged New…