Fistful of Dollars

The portrait of a real-life French con-man who doesn’t succeed in being as charming as the film wants to portray him as being

In the first paragraph of his review, of Peter and Bobby Farrelly’s movie, There’s Something about Mary, Stephen Hunter of the Washington Post suggests that the picture is not only brilliantly funny but also one in the eye of those carping critics (presumably those with “artistic” pretensions) who don’t believe that “it is enough for…

The puzzling thing about Steven Soderbergh’s new film, The Limey, is the very thing he puts to the fore in it, namely the national origin of its central character. What has that got to do with the basic story of an ex-con who’s “not from around here” pursuing the man he believes to be his…

Le Huitième Jour(The Eighth Day) by Jaco Van Dormael begins with a somewhat whimsical attempt to portray the world as seen through the eyes of Georges (Pascal Duquenne), a Downs syndrome sufferer. Like Genesis (the pop group of the same name makes an appearance later in the film), it begins “In the beginning. . .”…

[Also see discussion in “Entry from July 27, 2011” under “My Diary”] I liked After Life by Hirokazu Kore-eda, whose previous film was Maborosi. It is a witty contribution to the genre that includes Here Comes Mr. Jordan, Stairway to Heaven and so forth, but it gives the bureaucracy of death a peculiarly Japanese look….

Enough, already! We know that movie folk are compassionate people. Why do they have to keep making Holocaust dramas to persuade us of the fact?