High Noon

A portrait of modern sanctity which — very oddly, in my view — asks not to be taken too seriously

Billy Bob Thornton only stars in Ed Solomon’s solemn-man parable of crime and punishment, but his saint-like character must have been sized to his ego.

Like Felicia’s Journey, Patricia Rozema’s adaptation of Jane Austen’s Mansfield Park is a film whose other virtues—in particular, the visual evocation of Regency England and the excellence of the performances of Frances O’Connor as the heroine, Fanny Price, Alessandro Nivola and Embeth Davidtz as the charming brother and sister, Henry and Mary Crawford, and Jonny…

Why is the U.S. Army out to get Wilhelm Furtwängler? Who knows why the U.S. Army does anything in the movies?

Fierce Creatures by Robert Young and Fred Schepisi brings together again the four principal actors of A Fish Called Wanda, though not in their characters from that film. This is quite a different story—about an Antipodean tycoon presumably based on Rupert Murdoch called Rod McCain (Kevin Kline) who takes over a small zoo in England…

It’s a lucky thing for me that Whit Stillman, who is an old friend of the American Spectator, makes such good movies. If he made bad ones, I should have to be diplomatic, but that is a necessity which has yet to arise. I thought his first film, Metropolitan (1990) was funny, clever and charming….