Bullitt (1968)

Post Coitum Animal Triste, directed by Brigitte Roüen, stars Miss Roüen herself as Diane, a publisher married to the decent but boring lawyer, Philippe (Patrick Chesnais). She suddenly falls passionately in love with the much younger Emilio (Boris Terral) — a hydraulic engineer who goes about doing good, bringing water to the third world. What…

At the climax of Frequency, directed by Gregory Hoblit from a script by Toby Emmerich., we see both Frank Sullivan (Dennis Quaid) and his grown son, Johnny, a.k.a. the Chief (Jim Caviezel), fighting with the same man (Shawn Doyle), the sort of policeman-cum-serial killer of a sort that only seems to exist in the movies….

Beaumarchais: The Scoundrel, directed by Edouard Molinaro from an unpublished play by Sacha Guitry has a Cyrano-like panache to it and is mostly quite enjoyable—though it is still worth remembering what Fabrice Luchini, in the title role, says to Manuel Blanc, the star-struck young Gudin who complains that the actors are pronouncing his words too…

What looks like an attempt at satire has lost, or never found, that edge of hatred that good satire needs

[See discussion under “My diary” entry for July 26, 2012] Discover more from James Bowman Subscribe to get the latest posts sent to your email. Type your email… Subscribe

Arab-Americans are protesting against the portrayal of Arabs in The Siege, the new movie by Edward Zwick, and so of course the politically correct will argue among themselves for a while about whether or not Arabs are being stereotyped as terrorists. The film’s apologists claim that, by including a token Arab (played by Tony Shalhoub)…