Raiders of the Lost Ark

Critic bait which doesn’t amount to much more in the end than yet another Hollywood paean to the cool hero.

Liv Ullmann’s direction of the screenplay of her former director, “mentor” and lover, Ingmar Bergman in Faithless (Trolösa), is remarkably competent—remarkably Bergmanian—in all kind of technical ways, but I wonder if she was fully alive to the subtleties built into this story of a broken marriage? For that matter, I wonder if Bergman himself is?…

A fantastical satire against bureaucracy whose real-world target is less than immediately recognizable

Mira Sorvino is the only triumphant thing about this inept adaptation of a Marivaux play.

An often funny but basically incoherent satire on the stupidity of contemporary culture by the director of Office Space

Another slow moving film about an encounter between Japan and the West in which two things happen — two more than in Oscar nominated Lost in Translation