Raiders of the Lost Ark

Sliding Doors by Peter Howitt is what they used to call — perhaps they still do — a stylish comedy, but it also has that little metaphysical kick that the movies occasionally give us, that sense of the supernatural somehow brought down to earth, domesticated and made familiar to us that only celluloid can confer….

Lost in Space, directed by Stephen Hopkins, is just too silly for words. In yet another cinematic updating of a long-forgotten TV series, William Hurt plays Professor John Robinson, a scientist who has been chosen to emigrate with his family to the planet Alpha Prime, which is ten years in a fast spaceship away, but…

Niagara Niagara directed by Bob Gosse, is what we might call a sick flick which reproduces in its title the “echolalia” or weird repetitions and irrational tics incident to sufferers of Tourette’s Syndrome. The sufferer in this case is a young woman called Marcy (Robin Tunney) from a wealthy but uncaring family who meets (while…

Wild Things, directed by John McNaughton and written by Stephen Peters, is superior quality 90s noir — which means, as I have said before, noir without any moral compass whatsoever. It’s too bad because this could have been a good film. It has clever plotting, good dialogue (without being overfull of wisecracks and strained attempts…

[See “Our Childless Dystopia” in The New Atlantis of Winter, 2007, under “Articles”] Discover more from James Bowman Subscribe to get the latest posts to your email. Type your email… Subscribe

The Iron Giant, directed by Brad Bird, is an animated adaptation of Ted Hughes’s fable which recruits it for a role in Hollywood’s continuing attempts to re-mythologize the 1950s according to “progressive” notions. The old mythology, now long discredited so far as Hollywood and the media are concerned, was that during that period God-fearing Americans…