Raiders of the Lost Ark

Despite its apocalyptic theme, Last Night by the young Canadian director, Don McKellar, is a shockingly modest—and thus, to my way of thinking anyway, likeable—little film. Set on the human race’s last day, before an unspecified cataclysm puts an end to all life on earth, the film attempts to make no profound political or spiritual…

Everything that is important in Girl, Interrupted, directed by James Mangold and based on the memoir by Suzanna Kaysen, can be condensed into one comment by the mental institution attendant, Valerie (Whoopi Goldberg) as she attempts to give the reluctant Suzanna (Winona Ryder) a bath. “This place is a f****** fascist torture chamber,” says the…

Brother, a Russian film written and directed by Alexei Balabanov, stars Sergei Bodrov, Jr, as Danila, a recently discharged soldier at a loose end who makes his way to St. Petersburg where his brother, Viktor (Victor Suhorukov) is somebody in the burgeoning underworld of Russia’s second city. The city itself is a main character in…

Ma Vie en Rose or My Life in Pink by Alain Berliner manages to be a charming film, rather in the manner of the upbeat and jokey postmodernism of Berliner’s fellow Belgian, Jaco Van Dormael. Enjoyable as it is in many ways, however, one can never quite lose the sense of being got at by—that…

Deep Impact, directed by Mimi Leder from a script by Bruce Joel Rubin and Michael Tolkin, is one of what I take to be a new breed of Hollywood disaster flicks. Modeled on Independence Day, these are apocalyptic in scale, overburdened with special effects and pitched to a younger teen audience, but they are still…

How Stella Got Her Groove Back, directed by Kevin Rodney Sullivan from a screenplay by Terry McMillan and Ron Bass from Miss McMillan’s novel, is a middle-aged woman’s wish-fulfilment fantasy and, unfortunately, little else. I thought at least it might be amusingly bad, but it doesn’t even reach as high as that. Angela Bassett stars…