Don't Bother
[See “Entry from August 08, 2007” under “My Diary”]
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A visually and dramatically impressive movie spoiled, in the end by a merely coy unwillingness to lift the artificial curtain between reality and unreality
Thieves by André Téchiné, is one of those films where the artistic means completely overpower the narrative ends. Here we have multiple narrators, shifts backward and forward in time, several brooding, complex, mysterious characters and a tangle of unexplained plot details trailing off into philosophical conversations full of gnomic utterance. And all for what? To…
The Newton Boys directed by Richard Linklater is the sort of movie that Hollywood made routinely 25 or 30 years ago, a movie about criminals as existential heroes—decent fellows no worse than lots of respectable folks who, though equally ready to be corrupted, haven’t the guts to go out and say “stick ’em up” as…
A Merry War is the American title given to the adaptation by Robert Bierman (director) and Alan Plater (writer) of George Orwell’s sunniest novel, Keep the Aspidistra Flying— presumably because Americans don’t know what an aspidistra is. For the record, it is a houseplant with long, leathery swordlike leaves which, in the 1930s was a…
The best movie I have seen so far this year is Open Hearts, a Dogme 95 film directed by Susanne Bier from a script she co-wrote with the great Anders Thomas Jensen, who also co-wrote Mifune and The King is Alive, two other Dogme productions that are among the best films of recent years. The…
Blue Streak, directed by Les Mayfield, reminded me a little of the extremely disturbing Austrian film, Funny Games, reviewed here last year, in that it leads us up the garden path of cinematic convention, then whirls around and cries: “Only kidding!” Nothing is what we thought it was. But where Michael Haneke, the sadist responsible…
