Shop Around the Corner, The
[See “Entry from June 25, 2008” under “My Diary”]
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[See “Entry from June 25, 2008” under “My Diary”]
Subscribe to get the latest posts to your email.
Everything that is important in Girl, Interrupted, directed by James Mangold and based on the memoir by Suzanna Kaysen, can be condensed into one comment by the mental institution attendant, Valerie (Whoopi Goldberg) as she attempts to give the reluctant Suzanna (Winona Ryder) a bath. “This place is a f****** fascist torture chamber,” says the…
What makes Tim Story’s film so good as moral instruction is what makes it, um, not quite so good as a movie.
There are two problems with Forces of Nature, which was written by Marc Lawrence and directed by Bronwen Hughes: the script and the stars. The script, in turn, has two problems: not enough jokes (though several of the jokes there are are good ones) and a moral tendency that pulls away from its dramatic tendency—something…
Robert Altman’s new picture, Cookie’s Fortune, is like all his films in having in it a lot of good things pushed to—and usually way beyond—their limit. Here the relentless folksiness of the sleepy Mississippi town, Holly Springs, is truly charming most of the time, but on occasion it becomes almost enough to give Andy Griffith…
There is a certain wit to Valerie Breiman’s Love and Sex that makes it something more than a complete waste of an evening. As Dr. Johnson said of the Giant’s Causeway, it is worth seeing but not worth going to see. Could he have been looking forward to the age of videotape? The story makes…
Everything that is important in Girl, Interrupted, directed by James Mangold and based on the memoir by Suzanna Kaysen, can be condensed into one comment by the mental institution attendant, Valerie (Whoopi Goldberg) as she attempts to give the reluctant Suzanna (Winona Ryder) a bath. “This place is a f****** fascist torture chamber,” says the…
What makes Tim Story’s film so good as moral instruction is what makes it, um, not quite so good as a movie.
There are two problems with Forces of Nature, which was written by Marc Lawrence and directed by Bronwen Hughes: the script and the stars. The script, in turn, has two problems: not enough jokes (though several of the jokes there are are good ones) and a moral tendency that pulls away from its dramatic tendency—something…
Robert Altman’s new picture, Cookie’s Fortune, is like all his films in having in it a lot of good things pushed to—and usually way beyond—their limit. Here the relentless folksiness of the sleepy Mississippi town, Holly Springs, is truly charming most of the time, but on occasion it becomes almost enough to give Andy Griffith…
There is a certain wit to Valerie Breiman’s Love and Sex that makes it something more than a complete waste of an evening. As Dr. Johnson said of the Giant’s Causeway, it is worth seeing but not worth going to see. Could he have been looking forward to the age of videotape? The story makes…
Everything that is important in Girl, Interrupted, directed by James Mangold and based on the memoir by Suzanna Kaysen, can be condensed into one comment by the mental institution attendant, Valerie (Whoopi Goldberg) as she attempts to give the reluctant Suzanna (Winona Ryder) a bath. “This place is a f****** fascist torture chamber,” says the…
What makes Tim Story’s film so good as moral instruction is what makes it, um, not quite so good as a movie.
There are two problems with Forces of Nature, which was written by Marc Lawrence and directed by Bronwen Hughes: the script and the stars. The script, in turn, has two problems: not enough jokes (though several of the jokes there are are good ones) and a moral tendency that pulls away from its dramatic tendency—something…
Robert Altman’s new picture, Cookie’s Fortune, is like all his films in having in it a lot of good things pushed to—and usually way beyond—their limit. Here the relentless folksiness of the sleepy Mississippi town, Holly Springs, is truly charming most of the time, but on occasion it becomes almost enough to give Andy Griffith…
There is a certain wit to Valerie Breiman’s Love and Sex that makes it something more than a complete waste of an evening. As Dr. Johnson said of the Giant’s Causeway, it is worth seeing but not worth going to see. Could he have been looking forward to the age of videotape? The story makes…