Brief Encounter
[See “Entry from July 9, 2008” under “My Diary”]
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[See “Entry from July 9, 2008” under “My Diary”]
Subscribe to get the latest posts to your email.
Baz Luhrmann, director of Strictly Ballroom and Romeo+ Juliet seems with each film to be trying to outdo the absurdity and outrageousness of the last. If so, he’s going to have a hard time topping Moulin Rouge, which seems to me to go about as far as you can go with self-parody. He is reported…
A movie to promote the self-conceit of ageing hippies left behind by "history"
Hélas! The good-humored detachment and optimism that François Truffaut brought to the French cinema seems to have died with him. Barring the rare exception, like last year’s Un Air de Famille by Cédric Klappisch, each new French film that manages to get itself released in this country seems to try to outdo the last in…
A slight but charming British film, based on a true story, about a couple of dentists who mount their own private invasion of France in 1942
Austin Powers, International Man of Mystery, directed by Jay Roach from a screenplay by Mike Myers, stars Myers as one of those swinging secret agents from the 1960s—though he is supposed to be British he resembles Matt Helm more than James Bond—frozen for 30 years and reanimated, along with his mod get-up, his bad teeth…
More Christmas pandering to the kids. But do the kids really want to be pandered to?
Baz Luhrmann, director of Strictly Ballroom and Romeo+ Juliet seems with each film to be trying to outdo the absurdity and outrageousness of the last. If so, he’s going to have a hard time topping Moulin Rouge, which seems to me to go about as far as you can go with self-parody. He is reported…
A movie to promote the self-conceit of ageing hippies left behind by "history"
Hélas! The good-humored detachment and optimism that François Truffaut brought to the French cinema seems to have died with him. Barring the rare exception, like last year’s Un Air de Famille by Cédric Klappisch, each new French film that manages to get itself released in this country seems to try to outdo the last in…
A slight but charming British film, based on a true story, about a couple of dentists who mount their own private invasion of France in 1942
Austin Powers, International Man of Mystery, directed by Jay Roach from a screenplay by Mike Myers, stars Myers as one of those swinging secret agents from the 1960s—though he is supposed to be British he resembles Matt Helm more than James Bond—frozen for 30 years and reanimated, along with his mod get-up, his bad teeth…
More Christmas pandering to the kids. But do the kids really want to be pandered to?
Baz Luhrmann, director of Strictly Ballroom and Romeo+ Juliet seems with each film to be trying to outdo the absurdity and outrageousness of the last. If so, he’s going to have a hard time topping Moulin Rouge, which seems to me to go about as far as you can go with self-parody. He is reported…
A movie to promote the self-conceit of ageing hippies left behind by "history"
Hélas! The good-humored detachment and optimism that François Truffaut brought to the French cinema seems to have died with him. Barring the rare exception, like last year’s Un Air de Famille by Cédric Klappisch, each new French film that manages to get itself released in this country seems to try to outdo the last in…
A slight but charming British film, based on a true story, about a couple of dentists who mount their own private invasion of France in 1942
Austin Powers, International Man of Mystery, directed by Jay Roach from a screenplay by Mike Myers, stars Myers as one of those swinging secret agents from the 1960s—though he is supposed to be British he resembles Matt Helm more than James Bond—frozen for 30 years and reanimated, along with his mod get-up, his bad teeth…
More Christmas pandering to the kids. But do the kids really want to be pandered to?