Brief Encounter
[See “Entry from July 9, 2008” under “My Diary”]
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[See “Entry from July 9, 2008” under “My Diary”]
Subscribe to get the latest posts to your email.
John Frankenheimer’s new movie, Reindeer Games, for which Ehren Kruger (Arlington Road) wrote the screenplay, is in some ways an admirably old-fashioned sort of picture. Or so I am inclined to think of any movie whose soul is its plot, as it generally is in the movies of the greatest directors from Hitchcock to Rohmer….
Mira Nair’s movie, with its Robert-Altman-goes-to-New-Delhi panorama of Indian life, means to be a feel-good movie. But who wants to feel good?
An anti-traditional look at the latest in criminality which is saved — at least in terms of box office success — by its politically suspect belly-laughs
Shanghai Noon, directed by Tom Dey from a script by Miles Millar and Alfred Gough, is a spoof- Western in the manner of Blazing Saddles but with two main differences from Mel Brooks’s classic. One is that it is 26 years further away from the sort of conventions of the genre that Blazing Saddles was…
John Frankenheimer’s new movie, Reindeer Games, for which Ehren Kruger (Arlington Road) wrote the screenplay, is in some ways an admirably old-fashioned sort of picture. Or so I am inclined to think of any movie whose soul is its plot, as it generally is in the movies of the greatest directors from Hitchcock to Rohmer….
Mira Nair’s movie, with its Robert-Altman-goes-to-New-Delhi panorama of Indian life, means to be a feel-good movie. But who wants to feel good?
An anti-traditional look at the latest in criminality which is saved — at least in terms of box office success — by its politically suspect belly-laughs
Shanghai Noon, directed by Tom Dey from a script by Miles Millar and Alfred Gough, is a spoof- Western in the manner of Blazing Saddles but with two main differences from Mel Brooks’s classic. One is that it is 26 years further away from the sort of conventions of the genre that Blazing Saddles was…
John Frankenheimer’s new movie, Reindeer Games, for which Ehren Kruger (Arlington Road) wrote the screenplay, is in some ways an admirably old-fashioned sort of picture. Or so I am inclined to think of any movie whose soul is its plot, as it generally is in the movies of the greatest directors from Hitchcock to Rohmer….
Mira Nair’s movie, with its Robert-Altman-goes-to-New-Delhi panorama of Indian life, means to be a feel-good movie. But who wants to feel good?
An anti-traditional look at the latest in criminality which is saved — at least in terms of box office success — by its politically suspect belly-laughs
Shanghai Noon, directed by Tom Dey from a script by Miles Millar and Alfred Gough, is a spoof- Western in the manner of Blazing Saddles but with two main differences from Mel Brooks’s classic. One is that it is 26 years further away from the sort of conventions of the genre that Blazing Saddles was…