Public Enemy, The

A fascinating document for future scholars writing the history of the American celebrity culture

At the climax of Frequency, directed by Gregory Hoblit from a script by Toby Emmerich., we see both Frank Sullivan (Dennis Quaid) and his grown son, Johnny, a.k.a. the Chief (Jim Caviezel), fighting with the same man (Shawn Doyle), the sort of policeman-cum-serial killer of a sort that only seems to exist in the movies….

A mostly faithful and often amusing updating of Shakespeare for which there is no apparent reason except as a demonstration of the film-maker’s cleverness

The wildly over-rated Dancer in the Dark by Lars von Trier (Breaking the Waves) seems to me simply the most silly and pretentious load of tripe that I have seen in many a long day. So silly is it that, but for remembering a similar but less obtrusive kind of silliness to be found in…

Till There Was You, by Scott Winant, is a leaden and slow-moving romantic comedy that tries very hard to be romantic, but has very little success at all in being comic. Jeanne Tripplehorn plays Gwendolyn Moss, a young woman who, as a little girl in the 1970s, was inspired by the romantic story of her…

Face/Off by John Woo offers what is perhaps the most preposterous plot ever for an action movie, and that is saying something. Most postmodern action thrillers—see, for instance, Speed 2 and Con Air—aspire to nothing higher than nudging you in the ribs from time to time to remind you that you are watching a movie….