Bonnie and Clyde

Jean-Pierre Jeunet, the creative force behind A Very Long Engagement (Un long dimanche de fiançailles), has always been a quirky director. In fact, “quirky” is putting it mildly. His early films, Delicatessen (1991) and City of Lost Children (1995) often seem like illustrations for the definition of “post-modern” proposed by Moe Sislak of “The Simpsons,”…

Liv Ullmann’s direction of the screenplay of her former director, “mentor” and lover, Ingmar Bergman in Faithless (Trolösa), is remarkably competent—remarkably Bergmanian—in all kind of technical ways, but I wonder if she was fully alive to the subtleties built into this story of a broken marriage? For that matter, I wonder if Bergman himself is?…

A unexpectedly well-made movie about disability with outstanding performances in the principal roles

An exciting and well-made movie about American soldiers at war in Iraq which doesn’t condescend to them — but which also doesn’t treat them as being quite real

George of the Jungle, directed by Sam Weisman and written by Dana Olsen and Audrey Wells is Disney’s concession to children who found Hercules too sophisticated. I would have guessed that anyone over the age of nine who so much as cracks a smile at all this strenuous but vain effort to be funny must…

It’s almost unbelievable that at this distance of time someone could make a movie about Abbie Hoffman which is utterly without any sense of irony about or detachment from the eccentric views of the late Yippie leader. They used to say about the Bourbons that they had learned nothing and forgotten nothing, but Louis XVIII…