Bonnie and Clyde

Here I make my declaration of faith: the single most important element in film is plot. This is because film is an inescapably realistic medium. You can’t make it look not like life, though, God knows, an awful lot of people have tried. But it is life in motion, which means that it cries out…

[See discussion under “My diary” entry for July 6, 2011] Discover more from James Bowman Subscribe to get the latest posts to your email. Type your email… Subscribe

In The Memory of a Killer, also known as The Alzheimer Case (De Zaak Alzheimer), Erik Van Looy has done a nice job of putting together an engaging, high-concept thriller. But once we’ve finished being caught up in it, we can’t help noticing that the high-concept pretty much goes to waste. It is this. A…

The Girl on the Bridge (La Fille sur le Pont), written by Serge Frydman and directed by Patrice Leconte, I take to be a sort of parable or allegory of married love. In order to accentuate its rather spooky and tangential relation to reality, it is shot in black and white and makes use of…

An amusing and occasionally wise and witty film from Patrice Leconte, but one whose principal virtue is its leading man

There is a scene in Neil Jordan’s adaptation of Graham Greene’s The End of the Affair in which the hero, a novelist called Maurice Bendrix (Ralph Fiennes), and his married lover, Sarah Miles (Julianne Moore), go to a movie based on one of one of Bendrix’s novels. As they sit in the smoke-filled fleapit, we…