Place in the Sun, A

The Real Blonde by Tom DiCillo shows as much promise as his first film, Living in Oblivion of 1995. Both are very funny, but both are rather inward looking — obsessed with movie making and acting — and both somehow fail to hold together very well. The Real Blonde, in fact, is like a collection…

The most entertaining bit of Godzilla, which is rather short on entertaining bits, comes as the misunderstood scientist, Nick Tatopoulos (Matthew Broderick) is finally able to get through the remarkably thick skulls of the government and the military just what is at stake if they don’t make destroying the monster’s spawn their top priority, as…

The End of Violence, directed by Wim Wenders and written by Nicholas Klein is a frequently enjoyable film in which, however, there is far too much going on, an excess of Germanic portentousness and a hackneyed narrative premiss involving a vast governmental conspiracy (ho-hum) against the people. On the symbolic level the film is about…

If I should happen to mention that the music in Mon Homme by Bertrand Blier consists entirely of selections by Barry White and Henryk Gorecki, you may get some idea of what a mess the picture is. At one level, it is, as are many of Blier’s earlier films, a masculine fantasy. The heroine is…

Though message-laden and inclined to a facile view of international politics, this is a fresh and funny look at the travails of family life

Ulee’s Gold, written and directed by Victor Nunez is a film so slow-paced that even the exciting parts look as if they are on drugs. Perhaps this is because its star, the Ulee of the title (short for Ulysses) is the former pot- head Peter Fonda. It is not necessarily the highest of compliments to…