Postman Always Rings Twice, The
[See “Entry from July 1, 2009” under “My Diary”]
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[See “Entry from July 1, 2009” under “My Diary”]
Subscribe to get the latest posts to your email.
Chinese Box by Wayne Wang stars Jeremy Irons as John, a journalist living in Hong Kong in the months leading up to the handover of the colony by the British to the Chinese. He learns that he’s got leukemia and has approximately as long to live as the British presence in the territory will last….
The movie version of the scatological TV series, South Park: Bigger, Longer & Uncut, directed by Trey Parker from a script he co-wrote with Matt Stone and Pam Brady, is billed as satire, but it has no coherent satirical vision. In fact, it cannot even remember what, if anything, it is supposed to be satirical…
Like its predecessor, Toy Story 2 is a triumph of technology — the relatively new technology of computer animation — if not of moviemaking. In fact, as a kind of technological marvel it is naturally impervious to criticism on any merely airy-fairy, aesthetic grounds. Like the Bond films with which it might otherwise be thought…
Shooting Fish by Stefan Schwartz stars Dan Futterman and Stuart Townsend as Dylan and Jez (short for Jeremiah), an American and an Englishman who team up to run various scams in the interests, they say, of some orphans, namely themselves. If this strikes you as a jolly jape, you may be as much stuck in…
Liv Ullmann’s direction of the screenplay of her former director, “mentor” and lover, Ingmar Bergman in Faithless (Trolösa), is remarkably competent—remarkably Bergmanian—in all kind of technical ways, but I wonder if she was fully alive to the subtleties built into this story of a broken marriage? For that matter, I wonder if Bergman himself is?…
Chinese Box by Wayne Wang stars Jeremy Irons as John, a journalist living in Hong Kong in the months leading up to the handover of the colony by the British to the Chinese. He learns that he’s got leukemia and has approximately as long to live as the British presence in the territory will last….
The movie version of the scatological TV series, South Park: Bigger, Longer & Uncut, directed by Trey Parker from a script he co-wrote with Matt Stone and Pam Brady, is billed as satire, but it has no coherent satirical vision. In fact, it cannot even remember what, if anything, it is supposed to be satirical…
Like its predecessor, Toy Story 2 is a triumph of technology — the relatively new technology of computer animation — if not of moviemaking. In fact, as a kind of technological marvel it is naturally impervious to criticism on any merely airy-fairy, aesthetic grounds. Like the Bond films with which it might otherwise be thought…
Shooting Fish by Stefan Schwartz stars Dan Futterman and Stuart Townsend as Dylan and Jez (short for Jeremiah), an American and an Englishman who team up to run various scams in the interests, they say, of some orphans, namely themselves. If this strikes you as a jolly jape, you may be as much stuck in…
Liv Ullmann’s direction of the screenplay of her former director, “mentor” and lover, Ingmar Bergman in Faithless (Trolösa), is remarkably competent—remarkably Bergmanian—in all kind of technical ways, but I wonder if she was fully alive to the subtleties built into this story of a broken marriage? For that matter, I wonder if Bergman himself is?…
Chinese Box by Wayne Wang stars Jeremy Irons as John, a journalist living in Hong Kong in the months leading up to the handover of the colony by the British to the Chinese. He learns that he’s got leukemia and has approximately as long to live as the British presence in the territory will last….
The movie version of the scatological TV series, South Park: Bigger, Longer & Uncut, directed by Trey Parker from a script he co-wrote with Matt Stone and Pam Brady, is billed as satire, but it has no coherent satirical vision. In fact, it cannot even remember what, if anything, it is supposed to be satirical…
Like its predecessor, Toy Story 2 is a triumph of technology — the relatively new technology of computer animation — if not of moviemaking. In fact, as a kind of technological marvel it is naturally impervious to criticism on any merely airy-fairy, aesthetic grounds. Like the Bond films with which it might otherwise be thought…
Shooting Fish by Stefan Schwartz stars Dan Futterman and Stuart Townsend as Dylan and Jez (short for Jeremiah), an American and an Englishman who team up to run various scams in the interests, they say, of some orphans, namely themselves. If this strikes you as a jolly jape, you may be as much stuck in…
Liv Ullmann’s direction of the screenplay of her former director, “mentor” and lover, Ingmar Bergman in Faithless (Trolösa), is remarkably competent—remarkably Bergmanian—in all kind of technical ways, but I wonder if she was fully alive to the subtleties built into this story of a broken marriage? For that matter, I wonder if Bergman himself is?…