Postman Always Rings Twice, The

A Swedish vampire movie comes close to injecting a magical new life into a tired conceit but doesn’t quite succeed

Corny and over-the-top as Hollywood’s celebrations of the virtues of rural life as compared to urban used to be, at least the filmmakers usually gave the impression of believing in it.

Kiss or Kill was written and directed by Bill Bennett — no, not that Bill Bennett but yet another example of the astonishing outpouring of Australian cinematic talent of the past few years. It takes as the basis of its dramatic scenario a theme that most Americans would have thought was not only thoroughly worn…

The paradox of cinéma vérité is that the excitement of being in ever closer touch with real life via the camera is always being undermined by the banality of what real life generally has to show us. For this reason, the most vérité generally has to be the most feigning. But the various sorts of…

The Designated Mourner, written by Wallace Shawn and directed by David Hare, is chiefly remarkable for the fact that it shows Mike Nichols can act. Or at least overact. It’s hard to tell if it is Mr Shawn’s overheated writing, Mr Hare’s spare, intense directing or Mr Nichols’s own natural hamminess, but the overall effect…

La Vita è Bella or Life is Beautiful was directed and co-written by Roberto Benigni, who stars as Guido Orefice, a Jewish waiter in Arezzo before the war. He woos and wins his wife, Dora (Nicoletta Braschi), whom he calls la principessa — the princess — in memorably comic and romantic style and manages to…