Christmas in July

Lars von Trier is back on his hobby-horse: creating an alternative version of America to attack because he knows nothing of the real America

“She was too good for this life. . .” wrote Philip Larkin of the graffiti-covered bathing beauty on the advertising poster for “Sunny Prestatyn” and his ironic pity came to mind as I watched Gillian Anderson piling up the pathos as Lily Bart in Terence Davies’s screen adaptation of Edith Wharton’s novel, The House of…

The Best Man, written and directed (in Italian) by Pupi Avati begins by solemnly informing us that “Once upon a time, women would marry not knowing what love was. . .” And lest you think, in a moment of nervousness, that you might not know what it is either, the film hastens to explain that…

In Les Misérables, directed by Bille August, it is the film itself which turns out to be misérable: thin and poor and wretched and in need of feeding up. The one thing you don’t want to skimp on when you are filming an epic is the epic proportions. August, a fine director of intense and…

A bit of anti-American propaganda that could have been so much more

Nothing to Lose, written and directed by Steve Oedekerk, stars Tim Robbins as Nick, an advertising executive in Los Angeles who is carjacked by “T” (Martin Lawrence) while in a state of shock over his apparent discovery of his wife, Ann (Kelly Preston), in bed with his boss, Phil (Michael McKean). Sittiing at an intersection…