Treasure of the Sierra Madre

“She was too good for this life. . .” wrote Philip Larkin of the graffiti-covered bathing beauty on the advertising poster for “Sunny Prestatyn” and his ironic pity came to mind as I watched Gillian Anderson piling up the pathos as Lily Bart in Terence Davies’s screen adaptation of Edith Wharton’s novel, The House of…

Gladiator, directed by Ridley Scott, is the Saving Private Ryan of the second century. Its opening battle sequence is as electrifying in its way as that of Spielberg’s film, which may have influenced this one, particularly as Gladiator comes from Spielberg’s DreamWorks. It is also a handy demonstration of the foundation of Roman hegemony under…

Analyze This, directed by Harold Ramis (Groundhog Day), stars Robert DeNiro as Paul Vitti, a notorious New York mobster who suddenly finds he’s having panic attacks. He thinks they’re heart attacks. When the doctor tells him that they are in fact psychosomatic, he is incredulous: “Do I look like a guy who panics?” The doctor…

Waiting for Guffman is the cheapest of cheap comedy. All it takes is our suspension of disbelief (easy in New York and L.A.) that the rubes in fly-over country could be as witless and unhip as they are presented as being here. Hip is our new class marker: snobbery on the basis of race or…

Payback is directed by Brian Helgeland, who was one of the writers involved in L.A. Confidential, and, like that film, this one is an exercise in ersatz film noir. It is not exactly a remake of John Boorman’s Point Blank of 1967, but both are based on the same novel, The Hunter, which was written…

An amusing fairy tale that sometimes flirts with over-seriousness