Pursuit of Happyness, The

Whatever It Takes, directed by David Raynr and written by Mark Schwahn is yet another in the seemingly endless stream of movies which attempt to translate classic literature into American High School stories. This fad began in 1995 with what is still the best of its kind, Amy Heckerling’s adaptation of Emma, by Jane Austen,…

Almost Famous begins in 1969 with a literary discussion about Harper Lee’s To Kill a Mockingbird between a precocious eleven year-old, William Miller (Michael Angarano), and his widowed mother, Elaine (Frances McDormand). A college professor in San Diego, Elaine has obviously invested a great deal of hope in her son, whom she intends to be…

Groundhog Day meets The Bourne Ultimatum — but what is the point?

Every so often a reader writes asking me to lighten up, to stop looking so closely at the movies I review and just relax and enjoy them. I always wonder why people would bother reading a critic who did that. Could they not relax and enjoy a movie themselves unless they could reassure themselves that…

Philip Kaufman’s Quills, based on a play by Doug Wright, who wrote the screenplay, is a perfect illustration of the fact, which I may have mentioned once or twice before in these reviews, that it is now impossible for Hollywood to make a movie about sex which is not at the same time propaganda for…

Firestorm is the kind of picture which it would be nice to be able to encourage with a sympathetic review. It is the story of heroic men—in this case the legendary “smoke jumpers” who parachute into forest fires to help put them out—fighting against both nature and bad guys and prevailing against both. Nor is…