Heaven Can Wait

There is scarcely a cliché of the 1990s Hollywood thriller that is not to be found in Switchback, written and directed by Jeb Stuart. By now, the figure of the serial killer — so rare in nature, so common in the movies — has become such a familiar one that a filmmaker like Stuart will…

Eye of the Beholder, written and directed by Stephan Elliott from a novel by Marc Behm is routine post-modern noir—which is to say that it has no interest in the kind of tight plotting or carefully built up motivation that characterized traditional film noir. Presumably the media sophisticates who patronize movies these days don’t care…

Four Days in September by the Brazilian director Bruno Barreto has about it the sepia tones of an old photograph. How strange people were in those far off days of 1969, and what strange things they did. Much credit is due to Barreto, himself a former leftist, for the skill and artistic restraint involved in…

Fierce Creatures by Robert Young and Fred Schepisi brings together again the four principal actors of A Fish Called Wanda, though not in their characters from that film. This is quite a different story—about an Antipodean tycoon presumably based on Rupert Murdoch called Rod McCain (Kevin Kline) who takes over a small zoo in England…

It is not a particularly original or even, necessarily, interesting observation that marriage, like other symbiotic relationships, is often a matter of complementary pathologies. Or what would be pathologies if they were found in an individual. Benoit Jacquot (A Single Girl, The Disenchanted) has given us a portrait of such a marriage—and not much hope…

The Skulls is a movie about a secret, all-male society at Yale which hardly even attempts to disguise the fact that it is based on Skull and Bones, an élite group whose membership is said to include both the George Bushes. So, too, “The Skulls” in the movie go around saying to each other “a…