Matter of Life and Death, A (Stairway to Heaven)

David Mamet’s State and Main is so slow moving, so sluggishly edited, that you’ve got to wonder if it is so through incompetence — though this might be OK for other kinds of films, it’s disastrous in a comedy — or if there is some subtle purpose to it: an attempt to assert, for example,…

Mad City, directed by Costa-Gavras, has a good subject, but it can’t seem to stay focused on it. The director, known for such anti-American films as Z and Salvador, here ostensibly changes his subject to the media. Now I yield to no one in my dislike of the media, and especially of television newsmen, but…

In the Realm of the Senses is a Japanese film made twenty years ago by Nagisa Oshima. At the time it was considered shocking even by the relaxed standards of the day and it was seized by U.S. Customs Agents. What innocent times they seem! Nowadays we aren’t so much more depraved than people were…

Jackie Chan’s First Strike, directed by Stanley Tong, is another example of the only kind of action film I seem to get any enjoyment out of anymore. Most of them are so artificial and unbelievable: special effects overwhelming the human element. But the remarkable Jackie Chan does action at the human level. This he gets…

Lawn Dogs directed by John Duigan from a screenplay by Naomi Wallace is the worst movie I have seen since Fried Green Tomatoes. It touches reality at no point. Next to this piece of cinematic offal, Godzilla or Deep Impact look like kitchen sink realism. I don’t mind the mindlessness of such popcorn movies. They…

Blue Streak, directed by Les Mayfield, reminded me a little of the extremely disturbing Austrian film, Funny Games, reviewed here last year, in that it leads us up the garden path of cinematic convention, then whirls around and cries: “Only kidding!” Nothing is what we thought it was. But where Michael Haneke, the sadist responsible…