Act of Valor
[See “Honor Bound” in The American Spectator of April, 2012, under “Articles”]
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[See “Honor Bound” in The American Spectator of April, 2012, under “Articles”]
Subscribe to get the latest posts to your email.
The Game, directed by David Fincher, may be one of those films about which it is possible to say virtually nothing without giving away an essential fact about it—a fact which a great many viewers would be very cross at me for having revealed. It always seems to me a very shallow sort of enjoyment…
Down to Earth, Chris Rock’s remake (directed by Chris and Paul Weitz) of Heaven Can Wait (1978)—itself a remake of Here Comes Mr. Jordan (1941)—is a disappointment. Though there are some very funny things in it, its glib message about being oneself turns out to be a cover for being self-indulgent, in the style (I’m…
Absolute Power is a typical product of the Clint Eastwood line of knock-off existentialist heroes: a vehicle, that is, for yet another mythologization of the high-plains-drifter/man-with-no-name anti-hero whom neither old Clint nor his devoted audience ever seems to get tired of. I got tired of it myself a long time ago, so I should probably…
Maybe Ali McGraw couldn’t have managed it, but one would have liked to see the beautiful and talented Leelee Sobieski given a chance to move an audience without having to die. Alas, it was not to be. Here On Earth, written by Michael Seitzman and directed by Mark Piznarski, is a remake of Love Story…
Suddenly things in the popular culture begin to seem much, much worse than we had thought them. And we hadn’t thought they were good.
The Game, directed by David Fincher, may be one of those films about which it is possible to say virtually nothing without giving away an essential fact about it—a fact which a great many viewers would be very cross at me for having revealed. It always seems to me a very shallow sort of enjoyment…
Down to Earth, Chris Rock’s remake (directed by Chris and Paul Weitz) of Heaven Can Wait (1978)—itself a remake of Here Comes Mr. Jordan (1941)—is a disappointment. Though there are some very funny things in it, its glib message about being oneself turns out to be a cover for being self-indulgent, in the style (I’m…
Absolute Power is a typical product of the Clint Eastwood line of knock-off existentialist heroes: a vehicle, that is, for yet another mythologization of the high-plains-drifter/man-with-no-name anti-hero whom neither old Clint nor his devoted audience ever seems to get tired of. I got tired of it myself a long time ago, so I should probably…
Maybe Ali McGraw couldn’t have managed it, but one would have liked to see the beautiful and talented Leelee Sobieski given a chance to move an audience without having to die. Alas, it was not to be. Here On Earth, written by Michael Seitzman and directed by Mark Piznarski, is a remake of Love Story…
Suddenly things in the popular culture begin to seem much, much worse than we had thought them. And we hadn’t thought they were good.
The Game, directed by David Fincher, may be one of those films about which it is possible to say virtually nothing without giving away an essential fact about it—a fact which a great many viewers would be very cross at me for having revealed. It always seems to me a very shallow sort of enjoyment…
Down to Earth, Chris Rock’s remake (directed by Chris and Paul Weitz) of Heaven Can Wait (1978)—itself a remake of Here Comes Mr. Jordan (1941)—is a disappointment. Though there are some very funny things in it, its glib message about being oneself turns out to be a cover for being self-indulgent, in the style (I’m…
Absolute Power is a typical product of the Clint Eastwood line of knock-off existentialist heroes: a vehicle, that is, for yet another mythologization of the high-plains-drifter/man-with-no-name anti-hero whom neither old Clint nor his devoted audience ever seems to get tired of. I got tired of it myself a long time ago, so I should probably…
Maybe Ali McGraw couldn’t have managed it, but one would have liked to see the beautiful and talented Leelee Sobieski given a chance to move an audience without having to die. Alas, it was not to be. Here On Earth, written by Michael Seitzman and directed by Mark Piznarski, is a remake of Love Story…
Suddenly things in the popular culture begin to seem much, much worse than we had thought them. And we hadn’t thought they were good.