Act of Valor
[See “Honor Bound” in The American Spectator of April, 2012, under “Articles”]
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[See “Honor Bound” in The American Spectator of April, 2012, under “Articles”]
Subscribe to get the latest posts to your email.
Lucie Aubrac by Claude Berri (the great director of Jean de Florette and Manon of the Spring), is another illustration of the use of cliché in great movie-making. Based on the true life events recorded in the memoir, Ils partiront dans l’ivresse by Lucie Aubrac herself, this film hits us over the head with its…
A movie to promote the self-conceit of ageing hippies left behind by "history"
In Les Misérables, directed by Bille August, it is the film itself which turns out to be misérable: thin and poor and wretched and in need of feeding up. The one thing you don’t want to skimp on when you are filming an epic is the epic proportions. August, a fine director of intense and…
Post Coitum Animal Triste, directed by Brigitte Roüen, stars Miss Roüen herself as Diane, a publisher married to the decent but boring lawyer, Philippe (Patrick Chesnais). She suddenly falls passionately in love with the much younger Emilio (Boris Terral) — a hydraulic engineer who goes about doing good, bringing water to the third world. What…
Le Mépris, or Contempt, based on a novel by Alberto Moravia, was directed by Jean-Luc Godard in 1963, but has just been re-released in a newly refurbished print. Michel Piccoli stars as Paul, a Communist playwright being wooed by a dumb American millionaire called Jerry Prokosch (Jack Palance) to re-write a script for a film…