Worth Seeing
[See “Honor Bound” in The American Spectator of April, 2012, under “Articles”]
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Boogie Nights has been hailed in advance as a contemporary classic and its director, Paul Thomas Anderson, as the new Tarantino. Well, maybe. But where I could see in Pulp Fiction and others of Mr Tarantino’s early works what all the fuss was about, even if I was a bit skeptical, in the case of…
Jason Bourne stands for the exquisite conscience of liberal America which, when geostrategic necessity comes calling, can only cry out that they should have left us alone
American Psycho is as a movie as it was as a book, not a serious work of art but merely something designed to be talked about in the media and thus to confer money and celebrity upon its now plural authors. This is important, because not all books or movies that are talked about in…
Nurse Betty, the new film by Neil LaBute (In the Company of Men, Your Friends and Neighbors), is wonderfully enjoyable all the way through until its last ten minutes when suddenly the wild and thrilling ride it has offered us comes to a dead end. The story concerns Betty (Renée Zellweger), a small-town waitress from…
