Breach

Pavilion of Women is possibly the most perfectly awful movie I have seen this year. It is also a sad indication of the extent to which Hollywood, in seeking to demonstrate liberal good-will towards the People’s Republic of China, will swallow without a murmur propaganda that would be laughed off the stage if it came…

A movie about the movies and their influence, for both good and ill, on American foreign relations

Hallaleujah, it’s a miracle! The Apostle is a (more or less) mainstream Hollywood film that neither patronizes nor trivializes nor demonizes religion. Written and directed by and starring Robert Duvall, the picture is a tour de force for Mr Duvall, who has given himself a wonderfully juicy part as the itinerant evangelist Sonny Dewey, a.k.a….

Magnolia, written and directed by Paul Thomas Anderson, is like David O. Russell’s Three Kings in being an impressive display of moviemaking talent without ever quite becoming an impressive movie. In both cases, I think, the problem is that the talented writer-directors are overreaching themselves and trying to do too much. In the case of…

The Family Man, written by David Diamond and David Weissman and directed by Brett Ratner, is an attempt at a reverse It’s a Wonderful Life for the Christmases of the new millennium. Jack Campbell (Nicholas Cage) is a high-flying Wall Street whiz kid and swinging bachelor whose angel (played by Don Cheadle) lets him see…

The good news about Go, written by John August and directed by Douglas Liman (Swingers) is that it is the best of the scores of imitations of Quentin Tarantino that have appeared since Pulp Fiction set the standard for hip postmodernism at the movies in 1994. It is therefore the hippest movie you can see…