Breach
[See discussion under “My diary” entry for July 26, 2012]
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[See discussion under “My diary” entry for July 26, 2012]
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Walkabout by Nicholas Roeg has joined the ever lengthening list of film classics on re-release this spring, like the Star Wars triology, the Godfather, Das Boot (in a new version), Pink Flamingos and even The Big Sleep. More than any of these others — more even than Star Wars (nothing dates like futurism) — Walkabout…
Here are the good things about Traffic, Steven Soderbergh’s new and ambitious — and, indeed, epic-scale movie treatment of what is still here and there called the “drug war.” It does not glamorize drug taking, or drug supplying, though about a third of it deals with the first and about two- thirds with the second. Nor does it…
With the help of a black ex-con, Dad becomes a hip, freaky, fun-loving guy and his wife and kids are overjoyed. Best of all, he gets to keep the Mercedes and the job as a high-priced tax lawyer.
Hollywood’s on-going, long-term project, The Simpleton’s Guide to Cultural and Media History, is given yet another instalment, thanks to George Clooney
The Dinner Game, as the untranslatable Dîner de Cons is awkwardly but decorously rendered, is an uproarious French farce by Francis Veber, co-author of La Cage Aux Folles and creator on his own of a number of other plays and films in a similar style. It tells the story of Pierre Brochant (Thierry Lhermitte), a…
The Skulls is a movie about a secret, all-male society at Yale which hardly even attempts to disguise the fact that it is based on Skull and Bones, an élite group whose membership is said to include both the George Bushes. So, too, “The Skulls” in the movie go around saying to each other “a…