Worth Seeing
[See discussion under “My Diary” for July 12, 2012]
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People who are obsessed, as so many people are these days, with racial, ethnic, or sexual identity must lead very dull lives, for it is ridiculously easy to entertain them. In Whatever, for instance, I heard be-sandaled feminists burst into hoots of laughter when one woman told another that she wishes her scruffy-looking daughter would…
There is an essential bit of information about the plot of Open Your Eyes (in Spanish Abre Los Ojos), directed by Alejandro Amenábar, which is withheld until almost the end of the film and which, because I think it just about worth seeing, I will not reveal here. But it is worth knowing that it…
Anywhere But Here, Wayne Wang’s adaptation to the screen of a novel by Mona Simpson, is a total chick-flick but still worth seeing for the terrific performances of Susan Sarandon and Natalie Portman as the mother and daughter whose troubled relationship it is all about. In fact, the greatness of these two performances rather exaggerates…
The Eel, directed by Shohei Imamura, is like so many Japanese films a visual feast which works less well as a naturalistic drama than as a sort of moral parable, shot through with significant symbolism in mostly beautiful pictures. The story is of a midlevel Japanese “salaryman” called Yamashita (Koji Yakusho, who made such an…
Nothing to Lose, written and directed by Steve Oedekerk, stars Tim Robbins as Nick, an advertising executive in Los Angeles who is carjacked by “T” (Martin Lawrence) while in a state of shock over his apparent discovery of his wife, Ann (Kelly Preston), in bed with his boss, Phil (Michael McKean). Sittiing at an intersection…
Jodie Foster is mad and she isn’t going to take it anymore. Fortunately for her, she can kill people and still be the victim herself
