They Were Expendable (1945)
[See discussion under “My Diary” for June 27, 2013]
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[See discussion under “My Diary” for June 27, 2013]
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Playing God, directed by Andy Wilson and written by Mark Haskell Smith is yet another example of the work of the Taranteenies, those hip young filmmakers who have dominated creative thinking in Hollywood for the past three or four years, in the wake of Quentin Tarantino’s success with Reservoir Dogs and Pulp Fiction. You’d think…
I was, as my long-time readers may remember, inclined to give Leaving Las Vegas the benefit of a very considerable doubt that it was not, as it seemed to be, about insane self-indulgence but, like Kiss or Kill, about the intersection of love and trust. One Night Stand, the latest from that film’s director, Mike…
Rather like Safe Men, Return to Paradise, directed by Joseph Ruben (Sleeping With the Enemy, Money Train), is worth seeing even though it has a tendency to make light of criminal behavior. In this case, the criminal behavior is drug-taking. Three American friends, Sheriff (Vince Vaughn), Lewis (Joaquin Phoenix) and Tony (David Conrad) vacation in…
The Winners, a documentary by Paul Cohen, tells the story of four former winners and one third place finisher in the Queen Elizabeth Competition for violinists and pianists in Belgium and what has happened to them since. It is an absorbing but disorganized film that doesn’t quite know what it wants to say, though it…
A sometimes amusing but morally illiterate "neo-Western" which seems likely to spawn numerous imitators
The General, written and directed by John Boorman, stars Brendan Gleeson as Martin Cahill, a real-life if legendary Irish outlaw who was assassinated by the IRA in 1994. The film, shot in black and white, begins with the assassination, ordered because Cahill had sold some stolen paintings to the Protestant paramilitaries of the UVF. “They…
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