Must See
[See discussion under “My Diary” for June 27, 2013]
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Mira Nair’s movie, with its Robert-Altman-goes-to-New-Delhi panorama of Indian life, means to be a feel-good movie. But who wants to feel good?
If John Woo thinks, as the publicity material claims, that Jean-Pierre Melville’s Le Samourai is “the closest thing to a perfect movie that I have ever seen” I wonder why he does not make movies like it himself? In fact, Le Samourai, made in 1967 but only seen in this country before in the wake…
This is the abstract field.
Character by Mike Van Diem, the Dutch winner of the Academy Award for best foreign film, is an astonishingly old fashioned picture, of a sort (here is a sobering thought) that simply could not be made in America today. Some representative of the feminist thought police would have got to it long before it was…
The only thing Sharon Pollack’s Everything Relative has going for it is its political correctness. Billed as “a lesbian Big Chill” the film is amateurish, self-indulgent, stupid, sentimental, politically tendentious, ill written, ill-acted and ill-directed, but, by golly, it hews to the Party line without the slightest deviation. Pro-choice, pro-left, anti-Christian, anti-conservative: all its views…
