Full Metal Jacket (1987)

In The Hurricane, Norman Jewison is going through the motions. His film takes an ostensibly true story which also conforms to a classic movie situation—a man condemned for a crime he did not commit—and allows our expectations to do all the work. Rubin “Hurricane” Carter (Denzel Washington) was a top middleweight contender in the mid-1960s…

The Girl on the Bridge (La Fille sur le Pont), written by Serge Frydman and directed by Patrice Leconte, I take to be a sort of parable or allegory of married love. In order to accentuate its rather spooky and tangential relation to reality, it is shot in black and white and makes use of…

. . .and the bad guys live happily ever after with their ill-gotten gains. Ho-hum. What a cliché this is becoming.

David Mamet’s State and Main is so slow moving, so sluggishly edited, that you’ve got to wonder if it is so through incompetence — though this might be OK for other kinds of films, it’s disastrous in a comedy — or if there is some subtle purpose to it: an attempt to assert, for example,…

Thanks to our 21^st century taste for exhibitionism, documentaries are now a better bet for revealing and harrowing portrayals of domestic and family life than fiction

The movies of the Alien series have always had as subtext the feminist view of abortion, but never more so than the latest, called Alien Resurrection, which comes to us from Jean-Pierre Jeunet. Jeunet was co-director of the very weird French films Delicatessen and City of Lost Children, and this looks a lot like both…