Hurt Locker, The (2008)
[See discussion under “My Diary” for July 25, 2013]
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[See discussion under “My Diary” for July 25, 2013]
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Living Out Loud, written and directed by Richard LaGravenese is a handsome tribute to a charming woman, but it has no idea where it is going. Or rather: it knows where it wants to go, which is in the direction of a romantic rescue, but hasn’t got the nerve to go there. The story concerns…
“Unclog any tubes today?” asks waspish wife Phyllis (Julie Christie) of her husband, Lucky Mann (Nick Nolte), a philandering plumber and handyman in Alan Rudolph’s Afterglow. “Pipes. The word is pipes,” he insists, though we have just been watching him wielding his tool in such a suggestive way (“Turn me on” he says to a…
A couple of months ago I picked Stigmata the front-runner in the Worst-Movie-of-the Year Stakes, but Kevin Smith’s disastrously awful Dogma has now blown by it in the stretch and is cantering towards the finish several lengths ahead of the field. Since his promising debut with Clerks (1994), Smith has been going steadily downhill in…
Pushing Tin, directed by Mike Newell, is a reminder that our popular culture wants it both ways. On the one hand it thrives, as entertainment has always done, on the competition of macho men to see who is stronger, smarter, quicker or more dexterous. On the other hand it feels constrained to deplore such competition…
At its best, Olivier Assayas’s film, Irma Vep (an anagram of Vampire) is rather difficult for an American audience, unfamiliar with the classic French silent film Les Vampires by Louis Feuillade (1915), to understand, since so much of it depends on playing off that kind of innocence, but the appallingly poor English pronunciation of Jean…
Hurlyburly directed by Anthony Drazan and written (from his stageplay) by David Rabe has an all-star cast, but it cannot escape from the poverty of its script, in which nothing very much happens (people come and go) and all the characters talk exactly alike—that is in a kind of souped-up psychobabble with an occasionally Pinterian…
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