Frozen
[See “Frozen in Ideological Time” in The American Spectator of January-February, 2014 under “Articles”]
Discover more from James Bowman
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[See “Frozen in Ideological Time” in The American Spectator of January-February, 2014 under “Articles”]
Subscribe to get the latest posts to your email.
It cannot have escaped the notice of my readers that a favorite trope of liberals and other lefties — who more often call themselves “progressives” these days — is that all conservatism is just reflexive resistance to change, and that conservative political proposals are ipso facto designed with the more or less deliberate aim in…
[See “Slaves to Moral Self-Congratulation,” The American Spectator of March, 2007, under “Articles”] Discover more from James Bowman Subscribe to get the latest posts to your email. Type your email… Subscribe
I confess. When I was a callow youth—even, let it be said, a moony adolescent, I occasionally had fantasies like that which lies behind and beneath Notting Hill. I guess I always knew that neither Sophia Loren nor Elizabeth Taylor could ever be mine—not because they were superstars or married to other people but because…
The Other Sister, directed by Garry Marshall, tells the story of Carla Tate (Juliette Lewis), a young woman of 22 or 23 who, because she is mentally retarded, has spent most of her life in a “special school” and is now coming home, as the picture begins, to live with her well-to-do family in San…
Another political documentary conceived of not as investigation but as entertainment for those who already know all they care to know of its subject — except that it forgets to entertain
It cannot have escaped the notice of my readers that a favorite trope of liberals and other lefties — who more often call themselves “progressives” these days — is that all conservatism is just reflexive resistance to change, and that conservative political proposals are ipso facto designed with the more or less deliberate aim in…
[See “Slaves to Moral Self-Congratulation,” The American Spectator of March, 2007, under “Articles”] Discover more from James Bowman Subscribe to get the latest posts to your email. Type your email… Subscribe
I confess. When I was a callow youth—even, let it be said, a moony adolescent, I occasionally had fantasies like that which lies behind and beneath Notting Hill. I guess I always knew that neither Sophia Loren nor Elizabeth Taylor could ever be mine—not because they were superstars or married to other people but because…
The Other Sister, directed by Garry Marshall, tells the story of Carla Tate (Juliette Lewis), a young woman of 22 or 23 who, because she is mentally retarded, has spent most of her life in a “special school” and is now coming home, as the picture begins, to live with her well-to-do family in San…
Another political documentary conceived of not as investigation but as entertainment for those who already know all they care to know of its subject — except that it forgets to entertain
It cannot have escaped the notice of my readers that a favorite trope of liberals and other lefties — who more often call themselves “progressives” these days — is that all conservatism is just reflexive resistance to change, and that conservative political proposals are ipso facto designed with the more or less deliberate aim in…
[See “Slaves to Moral Self-Congratulation,” The American Spectator of March, 2007, under “Articles”] Discover more from James Bowman Subscribe to get the latest posts to your email. Type your email… Subscribe
I confess. When I was a callow youth—even, let it be said, a moony adolescent, I occasionally had fantasies like that which lies behind and beneath Notting Hill. I guess I always knew that neither Sophia Loren nor Elizabeth Taylor could ever be mine—not because they were superstars or married to other people but because…
The Other Sister, directed by Garry Marshall, tells the story of Carla Tate (Juliette Lewis), a young woman of 22 or 23 who, because she is mentally retarded, has spent most of her life in a “special school” and is now coming home, as the picture begins, to live with her well-to-do family in San…
Another political documentary conceived of not as investigation but as entertainment for those who already know all they care to know of its subject — except that it forgets to entertain