Frozen

Perhaps not the best of the recent crop of movies about grief, this Israeli film is nevertheless very watchable

Holy Smoke by Jane Campion is a movie whose most basic assumptions—arising out of a weirdly anachronistic, 1970s-vintage view of bourgeois life—makes it rather difficult to like. From the first glimpse she gives us of “Sans Souci, Sydney,” an overhead shot of acres of tiled-roof bungalows that bespeaks “suburbia,” we know that Miss Campion’s sympathies…

The decision to make this based-on-fact saga into a thriller rather than a moral drama may have been arisen from the assumption that the audience wouldn’t know how the story comes out

The best movie I have seen so far this year is Open Hearts, a Dogme 95 film directed by Susanne Bier from a script she co-wrote with the great Anders Thomas Jensen, who also co-wrote Mifune and The King is Alive, two other Dogme productions that are among the best films of recent years. The…

Live Flesh by Pedro Almodovar begins with a scene, set on a lonely night in 1970, in which a baby is born on a bus on the way to the hospital. There is a comic bus driver and a comic older woman helping the baby be born. “If idiots like us didn’t give birth,” she…

Pi, directed by Darren Aronofsky, is another chapter in the popular culture’s love affair with flashy intelligence—or at least the image of it. A gritty, black-and-white, low-budget version of Good Will Hunting, it does no better a job, however, at making such intelligence look real. For in addition to the usual mathematical parlor-tricks, this particular…