Frozen
[See “Frozen in Ideological Time” in The American Spectator of January-February, 2014 under “Articles”]
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[See “Frozen in Ideological Time” in The American Spectator of January-February, 2014 under “Articles”]
Subscribe to get the latest posts to your email.
Excess Baggage, directed by Marco Brambilla but under the creative control of Alicia Silverstone stars the rather pudgy Miss Silverstone as Emily Hope, a poor little rich girl, always getting into trouble, who stages her own kidnapping so that her brute of a father, who is a shady businessman in Seattle who is not overeager…
In spite of all the publicity, Red Corner is rather a roundabout apology for than a criticism of the Red Chinese regime. Richard Gere may be personally hostile to the Chinese gerontocracy, but the movie he wishes to showcase his opposition takes its politics in a depressingly familiar direction which leaves Jiang Zemin and his…
Say what you like about the French, they’re better than we are at making neurosis interesting
The Sweet Hereafter, written and directed by the Armenian- Canadian director of Exotica, Atom Egoyan, is a movingly updated version of the Pied Piper story only without the rats. This time the Pied Piper is not a businessman or a moralist but mere capricious fate which causes a school bus to run off the road…
It is only to be expected that Mel Gibson takes on and defeats the entire British army, virtually single-handedly, in The Patriot, but you would have thought that at least the film would have had something to say about what, from the point of view of the historian, the Revolutionary War was actually fought about….