King’s Row (1942)

Velvet Goldmine, written and directed by Todd Haynes, comes with the following “Director’s Statement” Velvet Goldmine is a valentine to the sounds and images that erupted in and around London in the early 1970’s: to Brian Ferry, David Bowie, Iggy Pop, Lou Reed — and the extraordinary inversions they imposed on our notions of the…

If the administration really wants to suppress the latest adaptation of a Tom Clancy novel, it can hardly be because of its closeness to reality. Perhaps it is just good taste.

Firelight, written and directed by William Nicholson (Shadowlands, Nell), is a contemporary chick-flick, one of those costume drama romances that attempts to marry traditional girlish fantasies to a mild strain of feminism so as to make its mainly female consumers feel comfortable, even virtuous, about watching what would otherwise be embarrassingly retrograde material. A poor…

A great film and a heartening demonstration that romance on the grand scale, as Hollywood used to do it, is still possible

An interesting and authentic-looking account of men in combat in Afghanistan but one with a depressingly familiar anti-war subtext

Why Do Fools Fall in Love — apparently meant to be rendered without its mark of interrogation — is written by Tina Andrews and directed by Gregory Nava and is based on real events. Frankie Lymon (Larenz Tate) wrote and sang the Do-Wop hit of the 1950s of that name and never rose to that…