Remember the Night (1940)
[See discussion under “My Diary” for June 11, 2014
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[See discussion under “My Diary” for June 11, 2014
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A delightful trip down memory lane for anyone with an interest in British “football” — i.e. soccer — of the 1970s
Like Felicia’s Journey, Patricia Rozema’s adaptation of Jane Austen’s Mansfield Park is a film whose other virtues—in particular, the visual evocation of Regency England and the excellence of the performances of Frances O’Connor as the heroine, Fanny Price, Alessandro Nivola and Embeth Davidtz as the charming brother and sister, Henry and Mary Crawford, and Jonny…
Let it not be said that Memento, written and directed by Christopher Nolan, has nothing to say. On the contrary, it has a very serious point to make about the way that people manufacture their own reality. In particular, as its subject is revenge and memory-loss, it encourages us to wonder if all revenge is…
The introductory disclaimer to the Dreamworks animated blockbuster, The Prince of Egypt (directed by Brenda Chapman, Steve Hickner and Simon Wells) notifies us that the film has taken some “historical license” but that it has been “true to the essence, values and integrity” of the Exodus story. In literal terms this is true, but in…
Time and again Hollywood, wearing its artist’s beret, attempts to satirize the entertainment business, of which Hollywood itself is so huge a part. Time and time and again it fails. I wonder why that is? By coincidence, we have the two latest attempts opening in consecutive weeks. But where 15 Minutes is a typical failure…
A thoughtful and very watchable film whose performance does not quite match its ambition
A delightful trip down memory lane for anyone with an interest in British “football” — i.e. soccer — of the 1970s
Like Felicia’s Journey, Patricia Rozema’s adaptation of Jane Austen’s Mansfield Park is a film whose other virtues—in particular, the visual evocation of Regency England and the excellence of the performances of Frances O’Connor as the heroine, Fanny Price, Alessandro Nivola and Embeth Davidtz as the charming brother and sister, Henry and Mary Crawford, and Jonny…
Let it not be said that Memento, written and directed by Christopher Nolan, has nothing to say. On the contrary, it has a very serious point to make about the way that people manufacture their own reality. In particular, as its subject is revenge and memory-loss, it encourages us to wonder if all revenge is…
The introductory disclaimer to the Dreamworks animated blockbuster, The Prince of Egypt (directed by Brenda Chapman, Steve Hickner and Simon Wells) notifies us that the film has taken some “historical license” but that it has been “true to the essence, values and integrity” of the Exodus story. In literal terms this is true, but in…
Time and again Hollywood, wearing its artist’s beret, attempts to satirize the entertainment business, of which Hollywood itself is so huge a part. Time and time and again it fails. I wonder why that is? By coincidence, we have the two latest attempts opening in consecutive weeks. But where 15 Minutes is a typical failure…
A thoughtful and very watchable film whose performance does not quite match its ambition
A delightful trip down memory lane for anyone with an interest in British “football” — i.e. soccer — of the 1970s
Like Felicia’s Journey, Patricia Rozema’s adaptation of Jane Austen’s Mansfield Park is a film whose other virtues—in particular, the visual evocation of Regency England and the excellence of the performances of Frances O’Connor as the heroine, Fanny Price, Alessandro Nivola and Embeth Davidtz as the charming brother and sister, Henry and Mary Crawford, and Jonny…
Let it not be said that Memento, written and directed by Christopher Nolan, has nothing to say. On the contrary, it has a very serious point to make about the way that people manufacture their own reality. In particular, as its subject is revenge and memory-loss, it encourages us to wonder if all revenge is…
The introductory disclaimer to the Dreamworks animated blockbuster, The Prince of Egypt (directed by Brenda Chapman, Steve Hickner and Simon Wells) notifies us that the film has taken some “historical license” but that it has been “true to the essence, values and integrity” of the Exodus story. In literal terms this is true, but in…
Time and again Hollywood, wearing its artist’s beret, attempts to satirize the entertainment business, of which Hollywood itself is so huge a part. Time and time and again it fails. I wonder why that is? By coincidence, we have the two latest attempts opening in consecutive weeks. But where 15 Minutes is a typical failure…
A thoughtful and very watchable film whose performance does not quite match its ambition