Remember the Night (1940)

Well, here goes. The following, I know, is an invitation to hate-mail, but I have to say that Star Wars Episode One: The Phantom Menace, written and directed by George Lucas, demonstrates a remarkable paucity of imagination. The thought first came to me in the scene where Senator Palpatine (Ian McDiarmid) explains to Queen Amidala…

The Spanish title of Only Human by Dominic Harari and Teresa Pelegri is Seres queridos, or “loved ones” and suggests one of those happy-clappy, boosterish Euro-junk films, like Cédric Klapisch’s Auberge Espanole, in which everybody is part of one big happy European family living in a tolerantly multicultural spirit stronger than any differences between them….

[See “Entry from July 11, 2007” under “My Diary”] Discover more from James Bowman Subscribe to get the latest posts to your email. Type your email… Subscribe

Wide Awake, directed by M. Night Shyamalan, must have attracted its stars — Denis Leary, Dana Delaney and Rosie O’Donnell, all of whom are badly miscast — because it tells what purports to be a heartwarming story of a kid in Catholic school, presumably of Irish extraction, who has to come to terms with his…

Beyond Silence, directed by Caroline Link, is one of those tremendously worthy films that deal with handicap and that one had better not say anything bad about because of their great sensitivity and caring. But they illustrate a saying of George Lucas, the director of Star Wars etc, that “emotionally involving the audience is easy….

The Devil’s Own by Alan J. Pakula is a dishonest film in the way that we have come to expect Hollywood films to be dishonest when they deal with politics. Here we see noble IRA terrorists fighting only against heavily armed (and comically incompetent) British soldiers instead of blowing up innocent civilians, which is what…