Badlands (1973)

Kiss or Kill was written and directed by Bill Bennett — no, not that Bill Bennett but yet another example of the astonishing outpouring of Australian cinematic talent of the past few years. It takes as the basis of its dramatic scenario a theme that most Americans would have thought was not only thoroughly worn…

An occasionally amusing parable of guilt and forgiveness whose setting in small-town America, like the prejudices of its author, does it no favors

Atom Egoyan’s curiously unemotional re-telling of the story of the Armenian massacres of 1915 loses itself in its inability to tear itself away from the present day.

Lucie Aubrac by Claude Berri (the great director of Jean de Florette and Manon of the Spring), is another illustration of the use of cliché in great movie-making. Based on the true life events recorded in the memoir, Ils partiront dans l’ivresse by Lucie Aubrac herself, this film hits us over the head with its…

The X-Files, directed by Rob Bowman (no relation) and written by the series’s creator, Chris Carter, gives us an example of the perfect post-modern movie, because it presents to us a non-functional conspiracy. That is to say, the conspiracy is detached from its objective, or else the objective is so obscure that it remains unclear…

Woody Allen’s decline into self-parody accelerates