On Moonlight Bay (1951)

Faust — as he appears in Playing God and Devil’s Advocate — appears to be all the rage in Hollywood at the moment. Coincidently, a Norwegian version of the Faust tale in Jan Troell’s Hamsun is knocking around out there somewhere at the moment. You may even get to see it if you live in…

Twice Upon a Yesterday, whose British title was The Man With Rain in His Shoes, was directed by Maria Ripoll as a pretty transparent imitation of Sliding Doors but without very much of that film’s wit or stylishness. I have nothing in principle against this kind of metaphysical fable and think of its great exemplar,…

It would be presumptuous of me to review Return With Honor, a documentary directed by Freida Lee Mock and Terry Sanders, who also co-wrote it with Christine Z. Wiser. Both the writing and the direction are quite unobtrusive, and the picture consists almost entirely of interviews with American prisoners of war, most of them Navy…

It is fascinating how, although Hollywood has implicitly believed in every crackpot conspiracy theory for decades and has been willing to attribute to the democratically elected government of the United States any and all perfidies, it retains a sentimental attachment to the idea of the presidency. The image of the good king dies hard in…

Saving Grace, written by Craig Ferguson and Mark Crowdy and directed by Nigel Cole, I found a surprisingly charming and thoroughly entertaining film until about three quarters of the way through, when it lapsed into a tired druggy fantasy that made the rest of the thing look bad retrospectively. I think the key to making…

A bit of pro-abortion propaganda that can’t stick to propaganda — and so manages to rise above its ideology to near greatness