On Moonlight Bay (1951)

A self-consciously Christian parable at odds with its own realistic setting

Wide Awake, directed by M. Night Shyamalan, must have attracted its stars — Denis Leary, Dana Delaney and Rosie O’Donnell, all of whom are badly miscast — because it tells what purports to be a heartwarming story of a kid in Catholic school, presumably of Irish extraction, who has to come to terms with his…

The Perfect Storm, though exciting as spectacle is disappointing as drama. Its director, Wolfgang Petersen here favors rather the style of Air Force One, his best known film, than Das Boot, his second best-known. Perhaps it was only the relatively small budget of the latter film which forced him to pay the attention he does…

Jackie Chan’s First Strike, directed by Stanley Tong, is another example of the only kind of action film I seem to get any enjoyment out of anymore. Most of them are so artificial and unbelievable: special effects overwhelming the human element. But the remarkable Jackie Chan does action at the human level. This he gets…

Ulee’s Gold, written and directed by Victor Nunez is a film so slow-paced that even the exciting parts look as if they are on drugs. Perhaps this is because its star, the Ulee of the title (short for Ulysses) is the former pot- head Peter Fonda. It is not necessarily the highest of compliments to…

Like most Hollywood attempts at satire, Dick, directed by Andrew Fleming, falls into the fatal trap of becoming too cozy with the object of its satirical attentions. This is a pity because there are many good and funny things in it. It would have been a great movie if it could have kept its focus…