Amazing Grace

An insult to the human race can only be appealing to those who consider themselves, somehow, above it

Fools Rush In by Andy Tennant offers us mildly engaging characters and an even more mildly witty screenplay but cannot escape the clichés of its plot—which, when you boil it down, is nothing more than the old work-family conflict. All this romance—and there is a potential romance here of some charm—only so that yet another…

Walkabout by Nicholas Roeg has joined the ever lengthening list of film classics on re-release this spring, like the Star Wars triology, the Godfather, Das Boot (in a new version), Pink Flamingos and even The Big Sleep. More than any of these others — more even than Star Wars (nothing dates like futurism) — Walkabout…

Another dazzling film from the director of Nine Queens but, unfortunately, the last there will be

A charming combination of prison flick and musical comedy is the best thing on offer this week.

The Big One is Michael Moore’s return to the merry prankster movie—like his breakout hit Roger and Me—after a detour through a feeble attempt at comedy-drama in Canadian Bacon. He is once again playing a kind of political Allen Funt who brings his cameras into various corporate headquarters—or, in one instance, the Wisconsin state capital—and…