Worth Seeing
[See “He Wore a Yellow Stripe,” The American Spectator of April, 2007, under “Articles”]
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A Brazilian reflection on the vanity of human — or at least of masculine — wishes and the permanence of the eternal feminine
Here is the basic idea of Arlington Road, written by Ehren Kruger and directed by Mark Pellington. A history professor called Michael Faraday (Jeff Bridges), who teaches a course on terrorism, gradually realizes that his new neighbors in the pleasant suburb where he lives are terrorists. If that premiss strains your credulity just a little,…
Ghost Dog: The Way of the Samurai, directed by Jim Jarmusch, is quirky, witty, fun, intelligent, without ever quite being a great movie. It lacks the urgency of great films, films that create their own forms by the power of what they have to say. Jarmusch is really as interested in his little post-modernist bag…
In Love and War is a New Line release of a Richard Attenborough film, based on Henry Villard’s book, Hemingway in Love and War. It is co-written by Villard’s son, Dimitri. Villard Sr. was in Italy with Hemingway and Agnes von Kurowsky, the (American) nurse on whom Catherine Barkley in A Farewell to Arms is…
There are a lot of things wrong with Howard Deutch’s new film, The Replacements, beginning with the fact that it is a football movie and therefore, in my view, extremely limited in its scope for originality. But it is just about worth seeing. There are some good jokes — I especially liked the one where…
Cosi by Mark Joffe is the perfect Australian movie, containing as it does opera, insanity, coming of age and that most intricate of metaphysical questions: how to resolve the conflict between one’s girl and one’s mates. Based on a play by Louis Nowra, it stars Ben Mendelsohn as Lewis, a young college dropout who doesn’t…
