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Mod Squad, The
Near the end of The Mod Squad one of the three drop-dead hip teen cops, Pete Cochran (Giovanni Ribisi), says to another, Julie Barnes (Claire Danes): “Dirty cops, drops at the airport: I feel like one of us should say, ‘We’re getting too old for this s***’.” Julie replies: “At least it’s not going down…
Faithless (Trölosa)
Liv Ullmann’s direction of the screenplay of her former director, “mentor” and lover, Ingmar Bergman in Faithless (Trolösa), is remarkably competent—remarkably Bergmanian—in all kind of technical ways, but I wonder if she was fully alive to the subtleties built into this story of a broken marriage? For that matter, I wonder if Bergman himself is?…
Soldier’s Daughter Never Cries, A
At the end of A Soldier’s Daughter Never Cries, as at the end of almost every Merchant-Ivory film I’ve ever seen, I said to myself: “What was the point of that?” I guess it’s a kind of trademark of theirs. In fact, the Soldier’s Daughter, based on a memoir by the daughter of the novelist…
Intimate Relations
Intimate Relations written and directed by Philip Goodhew is a lovely black comedy, supposedly based on a true story, which shines with brilliant performances by Rupert Graves and Julie Walters. Mr Graves plays Harold Guppy, a bit of a ne’er-do-well who, after stints in the Royal Navy and the Merchant Navy, comes to Abergavenny on…
Cartel, The
A devastating look at the corrupt political and educational establishment in New Jersey with powerful implications for other states
The Act of Killing
People who kill people sometimes come to feel sorry for those they killed. Who knew?
