Sergeant York

The one slightly sour note in Nora Ephron’s cloyingly sweet Julie & Julia comes near the end of the film when one of our two heroines, Julie Powell (Amy Adams), has become a hit with the public — or at least enough of a hit to realize the prospect of the book deal which will…

As an example of postmodern movie-making, the beginning of Swordfish, written by Skip Woods and directed by Dominic Sena, takes a lot of beating. John Travolta looking like the middle-aged dandy of which he has made rather a speciality since Pulp Fiction, is shown in tight close-up in the role of movie critic. “You know…

In Snake Eyes by Brian De Palma we are presented with Nicholas Cage in the role of Rick Santoro, a loud, corrupt and casually brutal cop in Atlantic City. He gambles, takes bribes, keeps a mistress on his illegal income and rarely sees his wife and child. He knows all the angles and has a…

Jay Roach mops up whatever laughs are left in this franchise, but I’m already sick of these Fockers

Is it possible for a man to have friends without regressing to boyhood? Not according to this unfunny comedy

Mark Twain’s America written and directed by Stephen Low is the latest in IMAX 3-D and illustrates that basic critical principle, the law of the inverse relationship between the sophistication of a film’s technique and the quality of its content. The feeble idea on which this movie is based is that you can relate various…