Raiders of the Lost Ark

A deeply unfunny movie, apparently, to nobody but me.

Rushmore, directed by Wes Anderson is a wonderfully strange movie whose strangeness is what makes it worth seeing. Its main character is Max Fischer (Jason Schwartzman), a precocious 15-year old student at a posh prep-school called Rushmore Academy. He is there on scholarship as his father, wonderfully played by Seymour Cassel is a barber who…

Another exercise in politically progressive moral earnestness by John Sayles sinks under its own weight of good intentions.

Thieves by André Téchiné, is one of those films where the artistic means completely overpower the narrative ends. Here we have multiple narrators, shifts backward and forward in time, several brooding, complex, mysterious characters and a tangle of unexplained plot details trailing off into philosophical conversations full of gnomic utterance. And all for what? To…

Eye of the Beholder, written and directed by Stephan Elliott from a novel by Marc Behm is routine post-modern noir—which is to say that it has no interest in the kind of tight plotting or carefully built up motivation that characterized traditional film noir. Presumably the media sophisticates who patronize movies these days don’t care…

The word “honor” turns up conspicuously in only one place, apart from the title, in Men of Honor, which was directed by George Tillman Jr. from a script by Scott Marshall Smith based on the true story of the U.S. Navy’s first black diver, Carl Brashear (Cuba Gooding Jr.). This comes as Brashear is facing…