Shop Around the Corner, The
[See “Entry from June 25, 2008” under “My Diary”]
Discover more from James Bowman
Subscribe to get the latest posts to your email.
[See “Entry from June 25, 2008” under “My Diary”]
Subscribe to get the latest posts to your email.
Chinese Box by Wayne Wang stars Jeremy Irons as John, a journalist living in Hong Kong in the months leading up to the handover of the colony by the British to the Chinese. He learns that he’s got leukemia and has approximately as long to live as the British presence in the territory will last….
What looks like an attempt at satire has lost, or never found, that edge of hatred that good satire needs
What is it about Frank Darabont and prisons? Or, for that matter, Stephen King and prisons? Having already idealized prison life in his dreadful version of Mr. King’s dreadful Shawshank Redemption a few years ago, Mr Darabont is at it again in the even more dreadful King story, The Green Mile. In Shawshank, although most…
Mimic, written by Matthew Robbins and Guillermo Del Toro and directed by Del Toro (Cronos) is almost an old-fashioned creature feature — a cross between the slime-is-alive flick and the monsters-in-the- subway flick — but it is a surprisingly watchable and suspenseful example of the kind. Del Toro, who showed his cleverness and originality in…
Kenneth Branagh’s new film of Love’s Labour’s Lost has very little to do with the play of the same name by William Shakespeare. Branagh’s marketability (such as it is) has always been pretty closely tied to that of the 16th century playwright, but here he is shamelessly using the Shakespeare brand name simply in order…
Chinese Box by Wayne Wang stars Jeremy Irons as John, a journalist living in Hong Kong in the months leading up to the handover of the colony by the British to the Chinese. He learns that he’s got leukemia and has approximately as long to live as the British presence in the territory will last….
What looks like an attempt at satire has lost, or never found, that edge of hatred that good satire needs
What is it about Frank Darabont and prisons? Or, for that matter, Stephen King and prisons? Having already idealized prison life in his dreadful version of Mr. King’s dreadful Shawshank Redemption a few years ago, Mr Darabont is at it again in the even more dreadful King story, The Green Mile. In Shawshank, although most…
Mimic, written by Matthew Robbins and Guillermo Del Toro and directed by Del Toro (Cronos) is almost an old-fashioned creature feature — a cross between the slime-is-alive flick and the monsters-in-the- subway flick — but it is a surprisingly watchable and suspenseful example of the kind. Del Toro, who showed his cleverness and originality in…
Kenneth Branagh’s new film of Love’s Labour’s Lost has very little to do with the play of the same name by William Shakespeare. Branagh’s marketability (such as it is) has always been pretty closely tied to that of the 16th century playwright, but here he is shamelessly using the Shakespeare brand name simply in order…
Chinese Box by Wayne Wang stars Jeremy Irons as John, a journalist living in Hong Kong in the months leading up to the handover of the colony by the British to the Chinese. He learns that he’s got leukemia and has approximately as long to live as the British presence in the territory will last….
What looks like an attempt at satire has lost, or never found, that edge of hatred that good satire needs
What is it about Frank Darabont and prisons? Or, for that matter, Stephen King and prisons? Having already idealized prison life in his dreadful version of Mr. King’s dreadful Shawshank Redemption a few years ago, Mr Darabont is at it again in the even more dreadful King story, The Green Mile. In Shawshank, although most…
Mimic, written by Matthew Robbins and Guillermo Del Toro and directed by Del Toro (Cronos) is almost an old-fashioned creature feature — a cross between the slime-is-alive flick and the monsters-in-the- subway flick — but it is a surprisingly watchable and suspenseful example of the kind. Del Toro, who showed his cleverness and originality in…
Kenneth Branagh’s new film of Love’s Labour’s Lost has very little to do with the play of the same name by William Shakespeare. Branagh’s marketability (such as it is) has always been pretty closely tied to that of the 16th century playwright, but here he is shamelessly using the Shakespeare brand name simply in order…