Shop Around the Corner, The

A feminist fairy-tale can only succeed, one suspects, to the extent that it marginalizes its feminism.

The Best Man, written and directed (in Italian) by Pupi Avati begins by solemnly informing us that “Once upon a time, women would marry not knowing what love was. . .” And lest you think, in a moment of nervousness, that you might not know what it is either, the film hastens to explain that…

The title of the latest movie to come out of the Evil Empire is Disney’s “The Kid”, possibly because the filmmakers were afraid that people might confuse it with the Charlie Chaplin classic of 1921—though more likely because Disney’s appalling hubris just can’t bear not to have its loathsome name on everything it produces. The…

Time and again Hollywood, wearing its artist’s beret, attempts to satirize the entertainment business, of which Hollywood itself is so huge a part. Time and time and again it fails. I wonder why that is? By coincidence, we have the two latest attempts opening in consecutive weeks. But where 15 Minutes is a typical failure…

It cannot have escaped the notice of my readers that a favorite trope of liberals and other lefties — who more often call themselves “progressives” these days — is that all conservatism is just reflexive resistance to change, and that conservative political proposals are ipso facto designed with the more or less deliberate aim in…

Pop cultural fantasy as a re-mythologization of the culture in the “progressive” interest — From The American Spectator of January-February, 2014