Double Indemnity
[See “Entry from June 24, 2009” under “My Diary”]
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[See “Entry from June 24, 2009” under “My Diary”]
Subscribe to get the latest posts to your email.
Out of Sight by Steven Soderbergh.is a film reminiscent of so many of the brilliant products of the Coen brothers in that it is an excellent bit of movie-making with absolutely nothing to say. It plays around with time sequence like Pulp Fiction (only not so boldly) and fantasy and provides us with a real…
If, as I believe, the new media aristocracy is essentially the aristocracy of feeling, then Johnny Depp is the crown prince. Was ever a face more perfectly constructed to express our turn-of-the-century ideal of a fine vulnerability, a noble sensitivity to every emotional breeze that ripples its surface? Unfortunately, with looks like his there are…
Jim Carrey plays the only decent, honest guy in the world who, having been screwed over by the system, turns to crime. What’s so funny about that?
In Donnie Brasco, based, as it is at pains to remind you, on a true story, Mike Newell and his screenwriter, Paul Attanasio, set up a highly interesting conflict with a great deal of skill and then simply slither out of it at the end, leaving the issues they raise unresolved. The excuse for this…
Guess what? Shakespeare is once again “our contemporary.” Yet how much more interesting he is when he is allowed to be out of date.
A touching and well-made movie from India whose motto, worthy of emulation by Hollywood, is "less is more"
Out of Sight by Steven Soderbergh.is a film reminiscent of so many of the brilliant products of the Coen brothers in that it is an excellent bit of movie-making with absolutely nothing to say. It plays around with time sequence like Pulp Fiction (only not so boldly) and fantasy and provides us with a real…
If, as I believe, the new media aristocracy is essentially the aristocracy of feeling, then Johnny Depp is the crown prince. Was ever a face more perfectly constructed to express our turn-of-the-century ideal of a fine vulnerability, a noble sensitivity to every emotional breeze that ripples its surface? Unfortunately, with looks like his there are…
Jim Carrey plays the only decent, honest guy in the world who, having been screwed over by the system, turns to crime. What’s so funny about that?
In Donnie Brasco, based, as it is at pains to remind you, on a true story, Mike Newell and his screenwriter, Paul Attanasio, set up a highly interesting conflict with a great deal of skill and then simply slither out of it at the end, leaving the issues they raise unresolved. The excuse for this…
Guess what? Shakespeare is once again “our contemporary.” Yet how much more interesting he is when he is allowed to be out of date.
A touching and well-made movie from India whose motto, worthy of emulation by Hollywood, is "less is more"
Out of Sight by Steven Soderbergh.is a film reminiscent of so many of the brilliant products of the Coen brothers in that it is an excellent bit of movie-making with absolutely nothing to say. It plays around with time sequence like Pulp Fiction (only not so boldly) and fantasy and provides us with a real…
If, as I believe, the new media aristocracy is essentially the aristocracy of feeling, then Johnny Depp is the crown prince. Was ever a face more perfectly constructed to express our turn-of-the-century ideal of a fine vulnerability, a noble sensitivity to every emotional breeze that ripples its surface? Unfortunately, with looks like his there are…
Jim Carrey plays the only decent, honest guy in the world who, having been screwed over by the system, turns to crime. What’s so funny about that?
In Donnie Brasco, based, as it is at pains to remind you, on a true story, Mike Newell and his screenwriter, Paul Attanasio, set up a highly interesting conflict with a great deal of skill and then simply slither out of it at the end, leaving the issues they raise unresolved. The excuse for this…
Guess what? Shakespeare is once again “our contemporary.” Yet how much more interesting he is when he is allowed to be out of date.
A touching and well-made movie from India whose motto, worthy of emulation by Hollywood, is "less is more"