Double Indemnity

A chick-flick for women of a certain age — and a certain age greater than their emotional one

It’s a lucky thing for me that Whit Stillman, who is an old friend of the American Spectator, makes such good movies. If he made bad ones, I should have to be diplomatic, but that is a necessity which has yet to arise. I thought his first film, Metropolitan (1990) was funny, clever and charming….

My first thought about The Waterboy, directed by Frank Coraci, was that I had already seen just about as many movies as I would ever need to see in which Adam Sandler attempts to exploit his arrested development for comic purposes. But then the Washington Post ran a “Style” section piece by Sharon Waxman taking…

Like Waiting for Guffman, which Christopher Guest directed and starred in four years ago, his new movie, Best in Show is painfully funny. Truly funny and truly painful. And very much in the same way too—in the way, that is, that toe-curling embarrassment is painful if you are involved in it and funny if you…

A trip down memory lane to those dim and distant days before September 11^th when everyone in Hollywood knew that America’s armed services were manned by criminals and psychopaths

The movies have in the past found it profitable to cater for almost every kind of paranoia there is. The California fantasy factories must be getting a lot of business out of even the survivalist types—who, you would think, must live many miles from the nearest Multiplex—since they managed to get some black helicopters into…