Double Indemnity
[See “Entry from June 24, 2009” under “My Diary”]
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[See “Entry from June 24, 2009” under “My Diary”]
Subscribe to get the latest posts to your email.
Like other sorts of horror movies, The Stepford Wives, has now gone postmodern and ironic, for who today is terrified of being forced to be a housewife?
The Fifth Element by Luc Besson is what every crappy Hollywood postmodern extravaganza would be if it had the wit and the boldness of the author of La Femme Nikita and The Professional—together with a Hollywood blockbuster-sized budget of $100 million. With it, postmodernism has entered into its rococo phase. Some day, if anyone ever…
Starship Troopers directed by Paul Verhoeven and based on the book by Robert Heinlein is a custom-made vehicle for the expression of what I take to be the Hollywood worldview. In the fanciful future utopia it conjures up for us, the fearsome tide of poor, dirty, low class, and superstitious people, with skins both swarthy…
Trial and Error by Jonathan Lynn, to a screenplay by Sara Bernstein and Gregory Bernstein, based on the former’s short story, has its funny moments, though the clichés come too thick and fast for the film to be quite satisfying in the end. In fact the basic situation the comedy presents us with is one…
Somewhere near the end of The Insider, written by Eric Roth and directed by Michael Mann, we overhear a TV announcer talking about “a fraud perpetrated on the American people”—by which he means the tobacco companies’ concealment from public view of what they know of the harm caused by their product. But the real fraud…
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