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[See “Avatar and the Flight from Reality” in The New Atlantis of Spring, 2010, under “Articles,” April 29, 2010]
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Waiting for Guffman is the cheapest of cheap comedy. All it takes is our suspension of disbelief (easy in New York and L.A.) that the rubes in fly-over country could be as witless and unhip as they are presented as being here. Hip is our new class marker: snobbery on the basis of race or…
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Brave One, The
Jodie Foster is mad and she isn’t going to take it anymore. Fortunately for her, she can kill people and still be the victim herself
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Waiting for Guffman is the cheapest of cheap comedy. All it takes is our suspension of disbelief (easy in New York and L.A.) that the rubes in fly-over country could be as witless and unhip as they are presented as being here. Hip is our new class marker: snobbery on the basis of race or…
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An ambivalent portrait of Ralph Nader contains a lesson for us all
Corporation, The
A pack of left-wingers, familiar and unfamiliar, gets together to explain why the world needs to be protected from jobs and prosperity
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Magnolia, written and directed by Paul Thomas Anderson, is like David O. Russell’s Three Kings in being an impressive display of moviemaking talent without ever quite becoming an impressive movie. In both cases, I think, the problem is that the talented writer-directors are overreaching themselves and trying to do too much. In the case of…