Three Days of the Condor
[See discussion under “My Diary” for July 19, 2012]
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[See discussion under “My Diary” for July 19, 2012]
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This film by Peter Hedges tries hard to be both charming and uplifting but doesn’t quite succeed in being either
Fallen Angels by Wong Kar-Wai may be the most perfect postmodern movie yet. Of course it comes from Hong Kong. Its characters are fragmented and monosyllabic, its stories multiple and incomprehensible, its dialogue minimalist, and its photography frenetic and out of focus; but boy is this hot new movie cool. Or hip if you prefer….
If I should happen to mention that the music in Mon Homme by Bertrand Blier consists entirely of selections by Barry White and Henryk Gorecki, you may get some idea of what a mess the picture is. At one level, it is, as are many of Blier’s earlier films, a masculine fantasy. The heroine is…
Down to Earth, Chris Rock’s remake (directed by Chris and Paul Weitz) of Heaven Can Wait (1978)—itself a remake of Here Comes Mr. Jordan (1941)—is a disappointment. Though there are some very funny things in it, its glib message about being oneself turns out to be a cover for being self-indulgent, in the style (I’m…
A charming Australian coming-of-age tale in which Brenda Blethyn gets to polish up and make more sympathetic her now-familiar screen persona as a loud, vulgar woman of the lower classes
This film by Peter Hedges tries hard to be both charming and uplifting but doesn’t quite succeed in being either
Fallen Angels by Wong Kar-Wai may be the most perfect postmodern movie yet. Of course it comes from Hong Kong. Its characters are fragmented and monosyllabic, its stories multiple and incomprehensible, its dialogue minimalist, and its photography frenetic and out of focus; but boy is this hot new movie cool. Or hip if you prefer….
If I should happen to mention that the music in Mon Homme by Bertrand Blier consists entirely of selections by Barry White and Henryk Gorecki, you may get some idea of what a mess the picture is. At one level, it is, as are many of Blier’s earlier films, a masculine fantasy. The heroine is…
Down to Earth, Chris Rock’s remake (directed by Chris and Paul Weitz) of Heaven Can Wait (1978)—itself a remake of Here Comes Mr. Jordan (1941)—is a disappointment. Though there are some very funny things in it, its glib message about being oneself turns out to be a cover for being self-indulgent, in the style (I’m…
A charming Australian coming-of-age tale in which Brenda Blethyn gets to polish up and make more sympathetic her now-familiar screen persona as a loud, vulgar woman of the lower classes
This film by Peter Hedges tries hard to be both charming and uplifting but doesn’t quite succeed in being either
Fallen Angels by Wong Kar-Wai may be the most perfect postmodern movie yet. Of course it comes from Hong Kong. Its characters are fragmented and monosyllabic, its stories multiple and incomprehensible, its dialogue minimalist, and its photography frenetic and out of focus; but boy is this hot new movie cool. Or hip if you prefer….
If I should happen to mention that the music in Mon Homme by Bertrand Blier consists entirely of selections by Barry White and Henryk Gorecki, you may get some idea of what a mess the picture is. At one level, it is, as are many of Blier’s earlier films, a masculine fantasy. The heroine is…
Down to Earth, Chris Rock’s remake (directed by Chris and Paul Weitz) of Heaven Can Wait (1978)—itself a remake of Here Comes Mr. Jordan (1941)—is a disappointment. Though there are some very funny things in it, its glib message about being oneself turns out to be a cover for being self-indulgent, in the style (I’m…
A charming Australian coming-of-age tale in which Brenda Blethyn gets to polish up and make more sympathetic her now-familiar screen persona as a loud, vulgar woman of the lower classes