The Eel, directed by Shohei Imamura, is like so many Japanese films a visual feast which works less well as a naturalistic drama than as a sort of moral parable, shot through with significant symbolism in mostly beautiful pictures. The story is of a midlevel Japanese “salaryman” called Yamashita (Koji Yakusho, who made such an…
Clay Pigeons, directed by David Dobkin and written by Matt Healy purports to take place in Montana, though in fact it takes place in Movieland, or that province of it which has been colonized by Quentin Tarantino and all the Taranteenies. You know you are in this part of the world when everyone you meet…
Rounders directed by John Dahl is wish-fulfilment fantasy of a different sort from that of Let’s Talk About Sex. This is the fantasy of cool, and it is paradoxical that the hottest new stars seem to compete to out-cool each other. Needless to say, this loving cultivation of image has little or nothing to do…
Ronin is directed by John Frankenheimer and is named after the masterless warriors in feudal Japan who, having lost face through failing to protect their lord, are condemned to wander the earth as outcasts and bandits and not even allowed to call themselves samurai anymore. At one point in the film the official explainer who…
Permanent Midnight, written and directed by David Veloz and based on the autobiographical book by Jerry Stahl is chiefly notable for the performance of Ben Stiller as Jerry Stahl, the TV writer who became a heroin addict and then, in recovery, managed to carve out a nice little career for himself as an ex-addict. Stiller…
One True Thing, directed by the excellent Carl Franklin (Devil in the Blue Dress and that Arkansas movie with Billy Bob Thornton) and based on the novel by Anna Quindlen, suffers from trying to do too much. It is really three separate stories that are like plants grown too close together, all fighting for the…
Let’s Talk About Sex is written and directed by Troy Beyer, who also stars as Jazz, an agony aunt columnist in Miami who wants to be the host of a TV talk show called “Girl Talk.” Her getting the gig depends on her putting together a demo tape in only a few days, which starts…
Orson Welles’s Touch of Evil, made in1957 and now restored according to a memo of protest Welles wrote to Universal after they butchered the movie on release, may be the best B-picture ever made. Watching it today, you have to wonder if he knew what he was doing — which was anticipating the postmodern film…
Firelight, written and directed by William Nicholson (Shadowlands, Nell), is a contemporary chick-flick, one of those costume drama romances that attempts to marry traditional girlish fantasies to a mild strain of feminism so as to make its mainly female consumers feel comfortable, even virtuous, about watching what would otherwise be embarrassingly retrograde material. A poor…
Simon Birch, written and directed by Mark Steven Johnson with a “suggested by” credit to John Irving for A Prayer for Owen Meany, is one of those self-consciously uplifting films, like The Spitfire Grill or Fried Green Tomatoes, that leave one feeling manipulated and disgusted. Like them it has been conceived and designed and put…
I went out of curiosity to the interesting documentary double billing of Chile, Obstinate Memory and The Battle of Chile Part Two: The Coup d’Etat by Patricio Guzman. The second was the 90-minute central episode extracted from Guzman’s three-part Marxist epic of 1978 and shown first; the first, shown second, was the hour long postscript…
A Merry War is the American title given to the adaptation by Robert Bierman (director) and Alan Plater (writer) of George Orwell’s sunniest novel, Keep the Aspidistra Flying— presumably because Americans don’t know what an aspidistra is. For the record, it is a houseplant with long, leathery swordlike leaves which, in the 1930s was a…
