All the way through The Winter Guest, which was directed and co-written by the fine British actor Alan Rickman, I was bothered by the fact that the action (I use the term loosely) was supposed to be taking place on “the coldest day in living memory” in East Fife, Scotland. Anyone who has ever been…
Firestorm is the kind of picture which it would be nice to be able to encourage with a sympathetic review. It is the story of heroic men—in this case the legendary “smoke jumpers” who parachute into forest fires to help put them out—fighting against both nature and bad guys and prevailing against both. Nor is…
Fallen Angels by Wong Kar-Wai may be the most perfect postmodern movie yet. Of course it comes from Hong Kong. Its characters are fragmented and monosyllabic, its stories multiple and incomprehensible, its dialogue minimalist, and its photography frenetic and out of focus; but boy is this hot new movie cool. Or hip if you prefer….
Arguing the World, a documentary directed by Joseph Dorman, is what a documentary should be. That is, it persuasively re-creates a historical milieu—in this case intellectual life in post-War New York—by telling a particular story. The story is that of City College in the 1930s and 1940s, known as “the Jewish Harvard,” where the sons…
I really wanted to like Mouse Hunt, which was officially directed by Gore Verbinski but unfortunately bears the hallmarks of the directorial style of Steven Spielberg, out of whose “Dreamworks” studio it comes. Every now and then, it is true, the skills of the comic duo of Nathan Lane and Lee Evans as the brothers…
Hard Rain by Mikael Salomon could have been and almost is a really competently managed thriller. Half-way through it I was weighing up whether it deserved one or two stars and delighting in what I took to be an unexpected throwback to the old days in Hollywood when the stories the movies told were tough…
The Boxer by Jim Sheridan deserves some praise for being one of the very few among the spate of recent movies about “the Troubles” in Northern Ireland (including Sheridan’s own) that actually tries to depict the I.R.A. as it is and not with the romantic patina of Michael Collins or, most recently, The Jackal. But…
Martin Scorsese’s reverent Kundun proves the occasion for reminding us of a curious fact about Hollywood—namely that Buddhism is the only religion which Tinseltown treats with respect, let alone reverence. If I were a Buddhist, this would worry me. What is it that is wrong with this religion that a bunch of shallow, ignorant, self-important…
Readers may remember my reservations about the all-but universally praised L.A. Confidential a few months ago — a film which I note continues to garner award after award from less fastidious critics. Yet, thought I, what was the point of a movie in which everybody but a couple of utterly self-absorbed heroes is basically scum?…
Fallen, written by Nicholas Kazan and directed by Gregory Hoblit from the novel by Dawn Steele is an idiotic fantasy about a Biblical demon called Azazel who inhabits the body of a murderer named Edgar Reese (Elias Koteas). When Reese is executed for his crimes, the spirit of Azazel transmigrates into the bodies of various…
The movies of the Alien series have always had as subtext the feminist view of abortion, but never more so than the latest, called Alien Resurrection, which comes to us from Jean-Pierre Jeunet. Jeunet was co-director of the very weird French films Delicatessen and City of Lost Children, and this looks a lot like both…
The Sweet Hereafter, written and directed by the Armenian- Canadian director of Exotica, Atom Egoyan, is a movingly updated version of the Pied Piper story only without the rats. This time the Pied Piper is not a businessman or a moralist but mere capricious fate which causes a school bus to run off the road…
