Beverly Hills Ninja by Dennis Dugan tries yet again to make Chris Farley’s brand of physical comedy, which consists of smashing into things and roaring, funny—but with no more success than Black Sheep or Tommy Boy. Artistic, or comedic, success I mean. At the box office it is boffo. For some reason, Americans in the…
In the Realm of the Senses is a Japanese film made twenty years ago by Nagisa Oshima. At the time it was considered shocking even by the relaxed standards of the day and it was seized by U.S. Customs Agents. What innocent times they seem! Nowadays we aren’t so much more depraved than people were…
Jackie Chan’s First Strike, directed by Stanley Tong, is another example of the only kind of action film I seem to get any enjoyment out of anymore. Most of them are so artificial and unbelievable: special effects overwhelming the human element. But the remarkable Jackie Chan does action at the human level. This he gets…
Cosi by Mark Joffe is the perfect Australian movie, containing as it does opera, insanity, coming of age and that most intricate of metaphysical questions: how to resolve the conflict between one’s girl and one’s mates. Based on a play by Louis Nowra, it stars Ben Mendelsohn as Lewis, a young college dropout who doesn’t…
The People vs. Larry Flynt is one of Hollywood’s more typical propaganda films—which is to say one which makes it too easy on itself. Unlike, say, Dead Man Walking, which was a very untypical propaganda film, it does not play straight with us. It stacks the deck in favor of its hero, Larry Flynt (Woody…
It was an interesting experience to go to see Kevin Spacey’s Albino Alligator with Jackie Chan’s First Strike fresh in my mind. The two films stand at opposite poles: the one delightfully fresh and uncomplicated and entirely based on its swift, non-stop movement and the other slow and lugubrious and full of portentous dialogue and…
Citizen Ruth by Alexander Payne is not so good a movie as it ought to be, given its materials and the good idea of its conception (you should pardon the term). Ruth Stoops (Laura Dern) is a feckless dopehead living on the margins of lower middle class Omaha. The film begins with a scene of…
Portrait of a Lady by Jane Campion has a very strange beginning. A bunch of contemporary girls, photographed in black and white and grainy stills, as if they were the fading memories, talk about love and men and kissing and “relationships” and marriage over opening credits until one holds out her hand and we see…
I’m Not Rappaport, written and directed by Herb Gardner from his stage play, takes its title from the old vaudeville joke. Comic walks across the stage as it were down a street and encounters straight man with surprise: “Rappaport! What happened to you?” he says. “You used to be a short, fat man and now…
Baz Luhrmann’s Romeo and Juliet is a good example of Shakespeare killed by terminal hipness. It is remarkably clever, and even has some good dramatic ideas. Having Juliet (Claire Danes) wake up just before Romeo (Leonardo DiCaprio) drinks the poison and simply cutting Friar Lawrence (Pete Postlethwaite) out of it is an interesting notion and…
Baz Luhrmann’s Romeo and Juliet is a good example of Shakespeare killed by terminal hipness. It is remarkably clever, and even has some good dramatic ideas. Having Juliet (Claire Danes) wake up just before Romeo (Leonardo DiCaprio) drinks the poison and simply cutting Friar Lawrence (Pete Postlethwaite) out of it is an interesting notion and…
Robert Zemeckis’s Forrest Gump is one of those precious, self- conscious films that tries so hard to be heart-warming that it ultimately gives you heartburn. Candide, or perhaps Huckleberry Finn, meets Woody Allen’s Zelig in the title character, and it makes for a disconcerting mix. But this is not really a satire, as you might…
