Train, The (1964)
[See discussion under “My Diary” for July 3, 2013]
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[See discussion under “My Diary” for July 3, 2013]
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The fine Spanish director Alejandro Amenábar employs his talents unworthily on behalf of propaganda for “the right to die”
The comic insight at the heart of Jay Roach’s Meet the Parents lies in establishing the nexus between humorlessness, paranoia and sentimentality in Robert De Niro’s portrayal of every bachelor’s nightmare of the father of his intended. The late Adolf Hitler, I believe, had the same three qualities, though this is not a comparison in…
Ridley Scott has produced a masterpiece about men in battle. As you might expect, The New York Times hated it.
The House of Yes, directed by Mark Waters and adapted by him from the stage play by Wendy MacLeod is enough to make you feel sorry for the Kennedys. Its occasional flashes of wit and its more persistent intellectual superciliousness have no other point than redundantly to assert that somehow (the means can be left…
It is fascinating how, although Hollywood has implicitly believed in every crackpot conspiracy theory for decades and has been willing to attribute to the democratically elected government of the United States any and all perfidies, it retains a sentimental attachment to the idea of the presidency. The image of the good king dies hard in…
A Merry War is the American title given to the adaptation by Robert Bierman (director) and Alan Plater (writer) of George Orwell’s sunniest novel, Keep the Aspidistra Flying— presumably because Americans don’t know what an aspidistra is. For the record, it is a houseplant with long, leathery swordlike leaves which, in the 1930s was a…
The fine Spanish director Alejandro Amenábar employs his talents unworthily on behalf of propaganda for “the right to die”
The comic insight at the heart of Jay Roach’s Meet the Parents lies in establishing the nexus between humorlessness, paranoia and sentimentality in Robert De Niro’s portrayal of every bachelor’s nightmare of the father of his intended. The late Adolf Hitler, I believe, had the same three qualities, though this is not a comparison in…
Ridley Scott has produced a masterpiece about men in battle. As you might expect, The New York Times hated it.
The House of Yes, directed by Mark Waters and adapted by him from the stage play by Wendy MacLeod is enough to make you feel sorry for the Kennedys. Its occasional flashes of wit and its more persistent intellectual superciliousness have no other point than redundantly to assert that somehow (the means can be left…
It is fascinating how, although Hollywood has implicitly believed in every crackpot conspiracy theory for decades and has been willing to attribute to the democratically elected government of the United States any and all perfidies, it retains a sentimental attachment to the idea of the presidency. The image of the good king dies hard in…
A Merry War is the American title given to the adaptation by Robert Bierman (director) and Alan Plater (writer) of George Orwell’s sunniest novel, Keep the Aspidistra Flying— presumably because Americans don’t know what an aspidistra is. For the record, it is a houseplant with long, leathery swordlike leaves which, in the 1930s was a…
The fine Spanish director Alejandro Amenábar employs his talents unworthily on behalf of propaganda for “the right to die”
The comic insight at the heart of Jay Roach’s Meet the Parents lies in establishing the nexus between humorlessness, paranoia and sentimentality in Robert De Niro’s portrayal of every bachelor’s nightmare of the father of his intended. The late Adolf Hitler, I believe, had the same three qualities, though this is not a comparison in…
Ridley Scott has produced a masterpiece about men in battle. As you might expect, The New York Times hated it.
The House of Yes, directed by Mark Waters and adapted by him from the stage play by Wendy MacLeod is enough to make you feel sorry for the Kennedys. Its occasional flashes of wit and its more persistent intellectual superciliousness have no other point than redundantly to assert that somehow (the means can be left…
It is fascinating how, although Hollywood has implicitly believed in every crackpot conspiracy theory for decades and has been willing to attribute to the democratically elected government of the United States any and all perfidies, it retains a sentimental attachment to the idea of the presidency. The image of the good king dies hard in…
A Merry War is the American title given to the adaptation by Robert Bierman (director) and Alan Plater (writer) of George Orwell’s sunniest novel, Keep the Aspidistra Flying— presumably because Americans don’t know what an aspidistra is. For the record, it is a houseplant with long, leathery swordlike leaves which, in the 1930s was a…